For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 120
... prefer abundance , non - linearity . D.C .: But how easily can you tolerate someone contradicting you ? Do you really accept juxtaposing Cathy Berberian's point of view with your own ? Is there ultimately a difference between the ' open ...
... prefer abundance , non - linearity . D.C .: But how easily can you tolerate someone contradicting you ? Do you really accept juxtaposing Cathy Berberian's point of view with your own ? Is there ultimately a difference between the ' open ...
Seite 196
... prefer to think that the form that the Musicircus took in Paris depended less on French culture , strictly speaking , than on the external , physical circumstances . On the one hand , the absence of suit- able technology ; on the other ...
... prefer to think that the form that the Musicircus took in Paris depended less on French culture , strictly speaking , than on the external , physical circumstances . On the one hand , the absence of suit- able technology ; on the other ...
Seite 210
... prefer invention . D.C .: But for Buckminster Fuller , for example , the concept of the game is fundamental . J.C. He's dealing with a world game involving a strategy for the ' utilities ' . He's changing the rules of all 210 FOR THE BIRDS.
... prefer invention . D.C .: But for Buckminster Fuller , for example , the concept of the game is fundamental . J.C. He's dealing with a world game involving a strategy for the ' utilities ' . He's changing the rules of all 210 FOR THE BIRDS.
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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