For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 37
... prepared piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what ...
... prepared piano . A giant myth has enveloped that prepared piano . You yourself noted that music critics hardly ever bothered to find out exactly what was in the piano once you had finished preparing it . Sometimes , in addition to what ...
Seite 104
... prepared piano were fully expressive works , as well as my String Quar- tet . In 1950 , I composed Sixteen Dances for Merce Cunningham and I was wondering how to achieve a clear graphic view of the rhythmic struc- tures I wanted to use ...
... prepared piano were fully expressive works , as well as my String Quar- tet . In 1950 , I composed Sixteen Dances for Merce Cunningham and I was wondering how to achieve a clear graphic view of the rhythmic struc- tures I wanted to use ...
Seite 194
... piano and the metallic noises sounded when recorded . So I decided to prepare the piano to make it sound better and ... prepared piano that I mentioned . And I found it so extraordinary that I considered cutting out the piano piece and ...
... piano and the metallic noises sounded when recorded . So I decided to prepare the piano to make it sound better and ... prepared piano that I mentioned . And I found it so extraordinary that I considered cutting out the piano piece and ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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