For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
Im Buch
Ergebnisse 1-3 von 28
Seite 26
... present this very moment , it seems to me that , among the three dimensions usually distinguished in time - past , present , future -you privilege the middle one . But is only thinking the present - or if you prefer , the moment ...
... present this very moment , it seems to me that , among the three dimensions usually distinguished in time - past , present , future -you privilege the middle one . But is only thinking the present - or if you prefer , the moment ...
Seite 94
... present here , that we are in the present , but not in that present which would , for example , include fir trees in a forest ? We owe this complexity to chance ... Our life is intensely complex , with layers of chance superimposed at ...
... present here , that we are in the present , but not in that present which would , for example , include fir trees in a forest ? We owe this complexity to chance ... Our life is intensely complex , with layers of chance superimposed at ...
Seite 219
... present , now that sounds themselves have been recognized as free , spares us any supplementary work on the basics . That doesn't mean that we don't need to compose new music , but new ideas on music are no longer necessary . D.C ...
... present , now that sounds themselves have been recognized as free , spares us any supplementary work on the basics . That doesn't mean that we don't need to compose new music , but new ideas on music are no longer necessary . D.C ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able accept according activities already appear asked audience become began begin believe better Certainly chance Ching close comes completely composer concert consider continue course critics David Tudor devotion don't electronic emotions entire everything example exist experience fact feel footnote of 1972 give happens idea important included interested it's John Cage less listen live longer mean mentioned Merce mind musicians nature never noises object once operations orchestra organization particular performance perhaps person piano piece play possible prefer present problem produce question recent recording relationship remain result score seems sense separate silence situation sometimes Song Books sounds space structure talk tapes That's theater things Thoreau thought University utilities Variations writing