For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 133
... recording of Variations IV . I know that you don't like records , but this one seems significant to me . On the surface , it's a guessing game , almost a quiz . It seems the listener is called on to sharpen his memory ; he is asked if ...
... recording of Variations IV . I know that you don't like records , but this one seems significant to me . On the surface , it's a guessing game , almost a quiz . It seems the listener is called on to sharpen his memory ; he is asked if ...
Seite 134
... recording was made . We were in a little art gallery in Los Angeles , and both of us , David and I , had a separate control table . All of the different sounds , which initially were completely distinct because of their dis- similar ...
... recording was made . We were in a little art gallery in Los Angeles , and both of us , David and I , had a separate control table . All of the different sounds , which initially were completely distinct because of their dis- similar ...
Seite 195
... recording of HPSCHD captured that complexity at least in terms of the sound ? - J.C .: I mentioned that there were fifty - two tapes corresponding to the fifty - two divisions of the octave . Because the recording was to be in stereo ...
... recording of HPSCHD captured that complexity at least in terms of the sound ? - J.C .: I mentioned that there were fifty - two tapes corresponding to the fifty - two divisions of the octave . Because the recording was to be in stereo ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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