For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 39
... silence . D.C .: In this you are moving away from the traditional conception of silence . Your silence has nothing to do with that of the classical musician , who says to himself , ' let's rest in the meditation that follows our ...
... silence . D.C .: In this you are moving away from the traditional conception of silence . Your silence has nothing to do with that of the classical musician , who says to himself , ' let's rest in the meditation that follows our ...
Seite 40
... silence does not exist , no one can possess it . If sound and silence are at once opposites and the same , can anyone possess sounds ? Is that indeed what you said to yourself ? J.C .: Yes , and so you understand how I was led to ...
... silence does not exist , no one can possess it . If sound and silence are at once opposites and the same , can anyone possess sounds ? Is that indeed what you said to yourself ? J.C .: Yes , and so you understand how I was led to ...
Seite 117
... Silence . And it also differs from Silence in its typogra- phy ; it's much more varied . J.C .: It's a way of presenting my ideas , which , partly under McLuhan's influence , have dealt more and more with the media . D.C .: People have ...
... Silence . And it also differs from Silence in its typogra- phy ; it's much more varied . J.C .: It's a way of presenting my ideas , which , partly under McLuhan's influence , have dealt more and more with the media . D.C .: People have ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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