For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 51
... tonal frequencies ran together and their complexity even destroyed our ability to hear them . Each of the two pieces neutralized the other . Then , for the concert , we decided to separate the two pianos very conspicu- ously . I must ...
... tonal frequencies ran together and their complexity even destroyed our ability to hear them . Each of the two pieces neutralized the other . Then , for the concert , we decided to separate the two pianos very conspicu- ously . I must ...
Seite 73
... tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions which cannot be substituted for one another ? Did you really never ...
... tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions which cannot be substituted for one another ? Did you really never ...
Seite 76
... tonal expanses . According to Schaeffer , this would facilitate composing in a less ' sur- realistic ' and more organic way . J.C .: I'm afraid that such an attempt at organization is a regression to the very process of copying from the ...
... tonal expanses . According to Schaeffer , this would facilitate composing in a less ' sur- realistic ' and more organic way . J.C .: I'm afraid that such an attempt at organization is a regression to the very process of copying from the ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Third Interview | 101 |
Urheberrecht | |
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