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Página 51
Third , the door is further opened to the perception — which he was to develop
within the next few months of the sympathetic potentialities of the imagination .
He begins by telling his brothers that he has gone to see Edmund Kean , has
written ...
Third , the door is further opened to the perception — which he was to develop
within the next few months of the sympathetic potentialities of the imagination .
He begins by telling his brothers that he has gone to see Edmund Kean , has
written ...
Página 105
The further movement of the poet into . - the nightingale ' s world also involves a
steady movement toward death and a momentary acceptance of it . Then at the
beginning of the seventh stanza the nightingale stands revealed for what it is , or
...
The further movement of the poet into . - the nightingale ' s world also involves a
steady movement toward death and a momentary acceptance of it . Then at the
beginning of the seventh stanza the nightingale stands revealed for what it is , or
...
Página 107
The continuing vehicle of escape is the song of the nightingale ; for , as the poet
in his trance contemplates the nightingale , he sees it withdrawing further and
further from the human world . In stanzas iv through vi , through most of which the
...
The continuing vehicle of escape is the song of the nightingale ; for , as the poet
in his trance contemplates the nightingale , he sees it withdrawing further and
further from the human world . In stanzas iv through vi , through most of which the
...
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Contenido
KEATST S Eliot | 11 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
action Agnes appear beauty become begins called century close comes completely continues course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives look lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote