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Página 73
The idea is that a trust in the visionary imagination will allow us to " burst our
mortal bars , ” to “ dodge / Conception to the very bourne of heaven , ” to
transcend our earthly confines , guess at heaven , and arrive at some view of the
reality to ...
The idea is that a trust in the visionary imagination will allow us to " burst our
mortal bars , ” to “ dodge / Conception to the very bourne of heaven , ” to
transcend our earthly confines , guess at heaven , and arrive at some view of the
reality to ...
Página 128
From the temporal point of view of the mortal world , the love is still ( yet ) to be
enjoyed ; the maiden is passionately vital because she has not yet been ravished
, and the lover will love forever because he cannot have his bliss . From an ...
From the temporal point of view of the mortal world , the love is still ( yet ) to be
enjoyed ; the maiden is passionately vital because she has not yet been ravished
, and the lover will love forever because he cannot have his bliss . From an ...
Página 133
The sacrificial altar towards which the procession goes is , then , dedicated to
heaven , to a realm of pure spirit : the immortal without the mortal , truth without
beauty . And the town that the souls leave is the town all souls leave in their
human ...
The sacrificial altar towards which the procession goes is , then , dedicated to
heaven , to a realm of pure spirit : the immortal without the mortal , truth without
beauty . And the town that the souls leave is the town all souls leave in their
human ...
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Contenido
KEATST S Eliot | 11 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
action Agnes appear beauty become begins called century close comes completely continues course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives look lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote