Keats1964 |
Dentro del libro
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Página 118
... movement of the images alone . In the more obvious sense , the three images do evolve ; in another , Keats and the ... movements in the first two stanzas : ( 1 ) the gradual emergence of the three images , ( 2 ) the gradual absorption of ...
... movement of the images alone . In the more obvious sense , the three images do evolve ; in another , Keats and the ... movements in the first two stanzas : ( 1 ) the gradual emergence of the three images , ( 2 ) the gradual absorption of ...
Página 129
... movement of the poem has clearly reached a climax beyond which it cannot go , for the third stanza has exhausted all the potentialities of this movement and has left nothing more to be said . The poet , ecstatically unselfed into the ...
... movement of the poem has clearly reached a climax beyond which it cannot go , for the third stanza has exhausted all the potentialities of this movement and has left nothing more to be said . The poet , ecstatically unselfed into the ...
Página 136
... movement . VII We can now see the two major interlacing patterns of the ode . The first pattern makes the five stanzas perfectly symmetrical and brings the poem round full circle . The empathic progress , the evolution of the sym- bols ...
... movement . VII We can now see the two major interlacing patterns of the ode . The first pattern makes the five stanzas perfectly symmetrical and brings the poem round full circle . The empathic progress , the evolution of the sym- bols ...
Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
Discussions of Particular Poems | 17 |
11 | 26 |
Derechos de autor | |
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Términos y frases comunes
Agnes Apollo Apollonius autumn beauty is truth become Belle Dame century critics death described drama dream dreamer earthly edited empathic Endymion essence eternal Eve of St experience eyes fade Fall of Hyperion fancy Fanny Brawne feel frieze fusion goddess Grecian Urn H. W. Garrod happy Harvard Hazlitt's heart heaven's bourne human passion ideal identity imagery images imagination immortal intense John Keats Keats wrote Keats's Lamia letter lines lovers Lycius Madeline Madeline's maiden Melancholy Milton mind Mnemosyne mortal movement myth nature Negative Capability nightingale Ode on Melancholy Ode to Psyche oxymoronic pain paradise passage pleasure poem poet poet's poetic poetry Porphyro reality romantic says second version sensation sense sensuous Shakespeare Shelley soft song sonnet soul spiritual stanza four stanza three suggests sweet symbols synaesthetic T. S. Eliot temporal theme thing third stanza thou thought three stanzas tion vision visionary Walter Jackson Bate word Wordsworth writing