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Página 161
In the first version , Keats had failed to unite idea and narrative . In the second
version , he plays boldly and simply sunders them . He was aware that in the first
version he had not been able to make the narrative bear the load of his meaning
...
In the first version , Keats had failed to unite idea and narrative . In the second
version , he plays boldly and simply sunders them . He was aware that in the first
version he had not been able to make the narrative bear the load of his meaning
...
Página 162
It will be recalled that I said three things of the first Hyperion : ( 1 ) that it was
necessary to remove Mnemosyne from the narrative ; ( 2 ) that Mnemosyne is , in
any case , too mysterious and unexplained ; ( 3 ) that Apollo is a disguise for
Keats in ...
It will be recalled that I said three things of the first Hyperion : ( 1 ) that it was
necessary to remove Mnemosyne from the narrative ; ( 2 ) that Mnemosyne is , in
any case , too mysterious and unexplained ; ( 3 ) that Apollo is a disguise for
Keats in ...
Página 164
burning curiosity ; and he leads on to the narrative of the wars of the gods by
offering the coming story as an explanation of the stress of her lips , the sorrow of
her words , and the light of her planetary eyes . The whole story to come will
serve ...
burning curiosity ; and he leads on to the narrative of the wars of the gods by
offering the coming story as an explanation of the stress of her lips , the sorrow of
her words , and the light of her planetary eyes . The whole story to come will
serve ...
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Contenido
KEATST S Eliot | 11 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
Otras 2 secciones no mostradas
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Términos y frases comunes
action Agnes appear beauty become begins called century close comes completely continues course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives look lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote