Paul RobesonN. Doubleday, 1978 - 81 páginas A powerful chronicle of the life of Paul Robeson, taking us from his childhood in New Jersey to his adult life around the world. An All-American athlete and a lawyer with Columbia Law School credentials, Robeson faces the racism prevalent in society in early part of the twentieth century. He strives to rise above, and it is his triumph in that struggle that turns Robeson into a modern day hero. Realizing the racist system would not allow him to practice as a lawyer, Robeson turns to singing, something he had learned well in the church choir. His singing leads to acting and his acting, with all the accolades due a master, leads him around the world. But every place he visits he sees the strains of racism in its many forms. The more he sees, the more he speaks out, using the his influence and stature to try and enlighten those around him. After some time in Europe, he returns to the United States to perform and speak out about the injustices in the country he loves. Confronting racism again, he sticks to his values, adhering to no party line, but is accused of being a Communist, an agitator and much more. He is blacklisted and his passport is revoked, but he goes on speaking out whenever he can. For eight years he fights to clear his name. Finally, the social climate begins to change and towards the end of his life, Robeson's passport is reinstated along with some of the glory and respect he earned along the way. There is still far to go, but Paul Robeson remains a beacon to those struggling to make this world a better place. This play is a powerful look at the many facets of Robeson the man, as well as Robeson the star. It is a tour-de-force for any actor. |
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Página 20
... turn in their uniforms ! Why don't I just try ? " ( PAUL takes a three - point stance . ) Well , on the first play of the scrimmage , I went out for a pass , a sim- ple buttonhook play . I remember beginning my pass pattern- ( Begins ...
... turn in their uniforms ! Why don't I just try ? " ( PAUL takes a three - point stance . ) Well , on the first play of the scrimmage , I went out for a pass , a sim- ple buttonhook play . I remember beginning my pass pattern- ( Begins ...
Página 35
... turns telling jokes , doing a dance , singing songs . ( PAUL is at a party . ACCOMPANIST sings " What'll I Do. " PAUL ... turn Paul . ( Music : " Drink to Me Only with Thine Eyes . " ) PAUL Well , I didn't feel like singing . I ACT ONE 35.
... turns telling jokes , doing a dance , singing songs . ( PAUL is at a party . ACCOMPANIST sings " What'll I Do. " PAUL ... turn Paul . ( Music : " Drink to Me Only with Thine Eyes . " ) PAUL Well , I didn't feel like singing . I ACT ONE 35.
Página 56
... Turn the light out , but leave the shade up . Until the train pulls out , I want to keep my eye on them . ( Metronome out . ) No , Essie , don't turn on the lights . I just want to sit here in the dark- ness . Because we might as well ...
... Turn the light out , but leave the shade up . Until the train pulls out , I want to keep my eye on them . ( Metronome out . ) No , Essie , don't turn on the lights . I just want to sit here in the dark- ness . Because we might as well ...
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Términos y frases comunes
ACCOMPANIST addresses African American answer asked audience better British brother called cause Center chair CHAIRMAN changed church City Coach colored comes concert Cross Dean didn't don't Dora Eslanda Essie eyes face father feel football friends gentlemen give Gone guess hall Hamilton hand Harlem hear heart hope House Jacob's Ladder killed knew Lady Barclay Larry light look loved Maria moved Music Negro never night party Paul Robeson Pause piano play President question Reeves refused returning River Russia Rutgers Sanford shine sing sits song speak Stage stand stopped takin talking tell thank That's There's thing thought took train trolley turn Union voice walked whole York young