The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larkin, Plath, and GlückPsychology Press, 2005 - 276 páginas This book seeks to include among accounts of modern lyric poetry a theory of the poem's relation to the unintelligible. DeSales Harrison draws a distinction between sites of unintelligibility and sights of difficulty; while much has been said about modernist difficulty, little has been said about the attention that poets give to phenomena that by definition arrest, impede, obscure, damage, or destroy the capacity for intelligible representation. |
Contenido
Chapter | 31 |
Chapter | 67 |
Chapter Three | 103 |
Chapter Four | 143 |
Chapter Five | 173 |
Conclusion | 187 |
Other Ends of the Mind | 227 |
Notes | 243 |
Bibliography | 261 |
Otras ediciones - Ver todas
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking ... DeSales Harrison Vista previa limitada - 2005 |
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking ... DeSales Harrison Vista previa limitada - 2005 |
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking ... Desales Harrison Sin vista previa disponible - 2013 |
Términos y frases comunes
absence achieved Allen Grossman Arundel Tomb assertion Bidart bird blue body breath central claim Collected Poems color conflict dark Darkling Thrush dead death Descending Figure describes desire distance distinct dream Eliot experience face fact feel formal Frank Bidart gesture Glück Grossman Hardy Hardy's human meaning imagine impediments impersonal implies inherent intelligibility Lady Lazarus landscape language Larkin Levinas Louise Glück lyric manifest Meadowlands meaningless metaphor mind mirror mortal narrative nature never person Philip Larkin poem poem's poet poetic poetry present Prestatyn question radical reader realm reflection remains representation resembles resistance rhetoric seeks sense silence song soul speak speaker specific speech stands stanza Stevensian struggle surface Sylvia Plath T. S. Eliot thing Thomas Hardy tion University Press utterance violin Vita Nova voice Wallace Stevens Whitsun Weddings Wild Iris words writing York