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Página 74
“Mansion of Many Apartments,” the critics would persuade us that the castle of
Madeline's kinsmen allegorically represents human life, and that Porphyro,
passing upward to a closet adjoining Madeline's bedchamber, and thence into
the ...
“Mansion of Many Apartments,” the critics would persuade us that the castle of
Madeline's kinsmen allegorically represents human life, and that Porphyro,
passing upward to a closet adjoining Madeline's bedchamber, and thence into
the ...
Página 77
Then Angela asserts a kind of orthodox middle - class morality : “ Ahl thou must
needs the lady wed ” ( 179 ) . She now leads Porphyro to Madeline's chamber , "
silken , hush'd , and chaste , " where he takes " covert " ( 187 f . ) . In the first draft
...
Then Angela asserts a kind of orthodox middle - class morality : “ Ahl thou must
needs the lady wed ” ( 179 ) . She now leads Porphyro to Madeline's chamber , "
silken , hush'd , and chaste , " where he takes " covert " ( 187 f . ) . In the first draft
...
Página 84
rative proceeds through the door he first opened , and on into the assembly of
revellers , where we are introduced to Madeline and the ritual she is intent on
following . In the final manuscript version , between Stanzas VI and VII , Keats
inserted ...
rative proceeds through the door he first opened , and on into the assembly of
revellers , where we are introduced to Madeline and the ritual she is intent on
following . In the final manuscript version , between Stanzas VI and VII , Keats
inserted ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
Otras 6 secciones no mostradas
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Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote