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Página 5
... legacy of the past—Homer, Dante, Shakespeare, Milton, and all that the past
exemplifies in what the English eighteenth century nostalgically called “the great
genres,” the greater forms of writing, especially the epic and the tragic drama.
... legacy of the past—Homer, Dante, Shakespeare, Milton, and all that the past
exemplifies in what the English eighteenth century nostalgically called “the great
genres,” the greater forms of writing, especially the epic and the tragic drama.
Página 71
The poem has been called " a monody of dreamy richness , " " one long
sensuous utterance , " “ an expression of lyrical ... Remarks like these tend to
confirm one's uneasy feeling that what is sometimes called " the most perfect ” of
Keats's ...
The poem has been called " a monody of dreamy richness , " " one long
sensuous utterance , " “ an expression of lyrical ... Remarks like these tend to
confirm one's uneasy feeling that what is sometimes called " the most perfect ” of
Keats's ...
Página 162
In the first canto the poet finds himself in dream confronted by Mnemosyne (
usually in this version, but not always, called Moneta– she is sometimes called
Mnemosyne, as in canto 1, 1.331); he is weighed down by the world's pain and
speaks ...
In the first canto the poet finds himself in dream confronted by Mnemosyne (
usually in this version, but not always, called Moneta– she is sometimes called
Mnemosyne, as in canto 1, 1.331); he is weighed down by the world's pain and
speaks ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
Otras 6 secciones no mostradas
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