KEATS1964 |
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Página 5
... by Lord Houghton over a century ago ( 1848 ) . But the original sources that Houghton himself used ( though in a very fragmentary way ) were almost completely neglected for fifty or sixty years ; and very Introduction 5.
... by Lord Houghton over a century ago ( 1848 ) . But the original sources that Houghton himself used ( though in a very fragmentary way ) were almost completely neglected for fifty or sixty years ; and very Introduction 5.
Página 32
... completely - I live in the eye ; and my imagination , surpassed , is at rest . " These last phrases per- fectly describe the purely esthetic experience of reading Hyperion . Though Hyperion is completely his own , Keats , like Virgil ...
... completely - I live in the eye ; and my imagination , surpassed , is at rest . " These last phrases per- fectly describe the purely esthetic experience of reading Hyperion . Though Hyperion is completely his own , Keats , like Virgil ...
Página 158
... completely indirect and left solely to inference . The personified figure of autumn is replaced by concrete images of life , and of life unafflicted by any thought of death : the gnats , the hedge crickets , the redbreast . Moreover ...
... completely indirect and left solely to inference . The personified figure of autumn is replaced by concrete images of life , and of life unafflicted by any thought of death : the gnats , the hedge crickets , the redbreast . Moreover ...
Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
Agnes Apollo Apollonius autumn beauty is truth become Belle Dame critics death described drama dream dreamer earthly empathic Endymion essence eternal Eve of St experience eyes fade faery lands Fall of Hyperion fancy Fanny Brawne feel frieze fusion goddess Grecian Urn H. W. Garrod happy Harvard Hazlitt's heart heaven's bourne human passion ideal identity images imagination immortal intense John Keats Keats wrote Keats's Lamia letter lines lovers Lycius Madeline Madeline's maiden Melancholy Milton mind Mnemosyne mortal movement myth narrative nature Negative Capability nightingale Ode on Melancholy Ode to Psyche oxymoronic pain paradise passage pleasure poem poet poet's poetic Porphyro reality romantic says second version sensation sense sensuous Shakespeare Shelley soft song sonnet soul spiritual stanza four stanza three suggests sweet symbols synaesthetic T. S. Eliot temporal theme thing third stanza thou thought three stanzas tion vision visionary Walter Jackson Bate word Wordsworth writing