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Página 162
It will be recalled that I said three things of the first Hyperion: (1) that it was
necessary to remove Mnemosyne from the narrative; (2) that Mnemosyne is, in
any case, too mysterious and unexplained; (3) that Apollo is a disguise for Keats
in ...
It will be recalled that I said three things of the first Hyperion: (1) that it was
necessary to remove Mnemosyne from the narrative; (2) that Mnemosyne is, in
any case, too mysterious and unexplained; (3) that Apollo is a disguise for Keats
in ...
Página 163
And in another part (canto 1, 1.226) she describes herself as . . . left supreme
Sole priestess of his [Saturn's] desolation; So that, even in the second version,
she belongs, vaguely, to the narrative of the gods. But she is also an eternal
figure, the ...
And in another part (canto 1, 1.226) she describes herself as . . . left supreme
Sole priestess of his [Saturn's] desolation; So that, even in the second version,
she belongs, vaguely, to the narrative of the gods. But she is also an eternal
figure, the ...
Página 164
burning curiosity; and he leads on to the narrative of the wars of the gods by
offering the coming story as an explanation of the stress of her lips, the sorrow of
her words, and the light of her planetary eyes. The whole story to come will serve
the ...
burning curiosity; and he leads on to the narrative of the wars of the gods by
offering the coming story as an explanation of the stress of her lips, the sorrow of
her words, and the light of her planetary eyes. The whole story to come will serve
the ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
Otras 6 secciones no mostradas
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Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote