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Página 3
This is true not only of readers as a whole, or even critics and literary historians,
but of poets, understandably severe in their ... hardly any English-speaking poet
worthy of the name, including even Whitman, has been uninfluenced by Keats.
This is true not only of readers as a whole, or even critics and literary historians,
but of poets, understandably severe in their ... hardly any English-speaking poet
worthy of the name, including even Whitman, has been uninfluenced by Keats.
Página 94
The oracle or prophet will be Keats in his role of the figure of the youth as virile
poet , the youth of the poet's paradise in Collins and Coleridge , the questing poet
shepherd in a state of innocence . The final transformation comes in a triumph of
...
The oracle or prophet will be Keats in his role of the figure of the youth as virile
poet , the youth of the poet's paradise in Collins and Coleridge , the questing poet
shepherd in a state of innocence . The final transformation comes in a triumph of
...
Página 124
The poet's own empathic advance is externalized , in part , by the contraction of
his attention as it moves from the total urn in the opening lines , to the frieze on
the urn , to the intense activity in the frieze . The sequence becomes organic ...
The poet's own empathic advance is externalized , in part , by the contraction of
his attention as it moves from the total urn in the opening lines , to the frieze on
the urn , to the intense activity in the frieze . The sequence becomes organic ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote