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Página 13
Keats speaks to us directly, almost as one of ourselves; we do not need to
approach him through elaborate reconstructions of dead philosophies or dead
poetical fashions. The romantic elements in him remained, so to speak, central,
sane, ...
Keats speaks to us directly, almost as one of ourselves; we do not need to
approach him through elaborate reconstructions of dead philosophies or dead
poetical fashions. The romantic elements in him remained, so to speak, central,
sane, ...
Página 66
and it is [of] the excess of this power that I suppose Keats to speak, when he says
he has no identity— As a poet, and when the fit is upon him, this is true. . . .
Shakespo was a poet of the kind above ment"—and he was perhaps the only one
...
and it is [of] the excess of this power that I suppose Keats to speak, when he says
he has no identity— As a poet, and when the fit is upon him, this is true. . . .
Shakespo was a poet of the kind above ment"—and he was perhaps the only one
...
Página 162
Then, having regard to the third point before speaking of the second, the Apollo
of the first version has become the Keats of the second; so that if Mnemosyne has
stepped out from the narrative of the gods, so has Apollo, now in the form of ...
Then, having regard to the third point before speaking of the second, the Apollo
of the first version has become the Keats of the second; so that if Mnemosyne has
stepped out from the narrative of the gods, so has Apollo, now in the form of ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote