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Página 134
Moreover, the word “silent” works like a thread to integrate the stanza ironically
with the rest of the poem. In stanza one, silence results from an amplitude of
extension; by enduring in time, the urn is tending to draw thin the extensions of
the ...
Moreover, the word “silent” works like a thread to integrate the stanza ironically
with the rest of the poem. In stanza one, silence results from an amplitude of
extension; by enduring in time, the urn is tending to draw thin the extensions of
the ...
Página 135
But in the extensional world of stanza four , where only not being can be infinite ,
everness can truly come only after the act is ... Just as the progress toward
heaven's bourne in the first three stanzas involved the gradual absorption of the
poet's ...
But in the extensional world of stanza four , where only not being can be infinite ,
everness can truly come only after the act is ... Just as the progress toward
heaven's bourne in the first three stanzas involved the gradual absorption of the
poet's ...
Página 136
altar , and finally in stanza five freeze to marble , become lifeless embroidery
superimposed on the urn instead of dynamic values at the heart of the urn . And
they therefore slip into the same subordinate grammatical position they occupied
in ...
altar , and finally in stanza five freeze to marble , become lifeless embroidery
superimposed on the urn instead of dynamic values at the heart of the urn . And
they therefore slip into the same subordinate grammatical position they occupied
in ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote