KEATS1964 |
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Página 134
... stanza ironically with the rest of the poem . In stanza one , silence results from an amplitude of extension ; by enduring in time , the urn is tending to draw thin the extensions of the world in which it exists and so is related to ...
... stanza ironically with the rest of the poem . In stanza one , silence results from an amplitude of extension ; by enduring in time , the urn is tending to draw thin the extensions of the world in which it exists and so is related to ...
Página 135
... stanza three , until he is again contracted within his own citadel - like self . In one sense , the empathy is as great in stanza four as in stanza three , for the poet is still so greatly assimilated into the life and reality of the ...
... stanza three , until he is again contracted within his own citadel - like self . In one sense , the empathy is as great in stanza four as in stanza three , for the poet is still so greatly assimilated into the life and reality of the ...
Página 136
... stanza they all come to a climax and find the origin of their dissolution ; and they fall away to their orig- inal condition in the remaining two , the full return of the circle being marked by the return in the last stanza to the rhyme ...
... stanza they all come to a climax and find the origin of their dissolution ; and they fall away to their orig- inal condition in the remaining two , the full return of the circle being marked by the return in the last stanza to the rhyme ...
Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
Agnes Apollo Apollonius autumn beauty is truth become Belle Dame critics death described drama dream dreamer earthly empathic Endymion essence eternal Eve of St experience eyes fade faery lands Fall of Hyperion fancy Fanny Brawne feel frieze fusion goddess Grecian Urn H. W. Garrod happy Harvard Hazlitt's heart heaven's bourne human passion ideal identity images imagination immortal intense John Keats Keats wrote Keats's Lamia letter lines lovers Lycius Madeline Madeline's maiden Melancholy Milton mind Mnemosyne mortal movement myth narrative nature Negative Capability nightingale Ode on Melancholy Ode to Psyche oxymoronic pain paradise passage pleasure poem poet poet's poetic Porphyro reality romantic says second version sensation sense sensuous Shakespeare Shelley soft song sonnet soul spiritual stanza four stanza three suggests sweet symbols synaesthetic T. S. Eliot temporal theme thing third stanza thou thought three stanzas tion vision visionary Walter Jackson Bate word Wordsworth writing