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Página 5
But we needed to preface these selections with at least a suggestion of why our
present-day view of him does not (as in the case of many poets) dramatize a
break with the past so much as it provides a deepening and enrichment of earlier
...
But we needed to preface these selections with at least a suggestion of why our
present-day view of him does not (as in the case of many poets) dramatize a
break with the past so much as it provides a deepening and enrichment of earlier
...
Página 47
( Isabella , 11.391-92 ) As was suggested in the previous chapter , it sometimes
appears that the primary source of Keats's inspiration lies in his senses . He
begins with the feel , or in this particular instance with the taste , of the poem .
( Isabella , 11.391-92 ) As was suggested in the previous chapter , it sometimes
appears that the primary source of Keats's inspiration lies in his senses . He
begins with the feel , or in this particular instance with the taste , of the poem .
Página 80
The last line carries the suggestion that Porphyro has been reading of the
martyrdom , not of St. Agnes , but of Donne's lovers in “ The Canonization , ”
whose bodies are by “ reverend love ” made “ one another's hermitage . ” It is
curious that in ...
The last line carries the suggestion that Porphyro has been reading of the
martyrdom , not of St. Agnes , but of Donne's lovers in “ The Canonization , ”
whose bodies are by “ reverend love ” made “ one another's hermitage . ” It is
curious that in ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote