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Página 123
The evolution of the symbols is also the subtle involution of the poet. There are
two of these empathic dramas being enacted in the first three stanzas. One, the
self-destruction of the images in order that they may symbolize the dynamic stasis
...
The evolution of the symbols is also the subtle involution of the poet. There are
two of these empathic dramas being enacted in the first three stanzas. One, the
self-destruction of the images in order that they may symbolize the dynamic stasis
...
Página 125
Keats now experiences the happiness of the symbols and knows, not objectively,
but in his newly-acquired subjectivity, that the boughs cannot shed their leaves
and that the love is “For ever warm and still to be enjoy'd.” With the increasing ...
Keats now experiences the happiness of the symbols and knows, not objectively,
but in his newly-acquired subjectivity, that the boughs cannot shed their leaves
and that the love is “For ever warm and still to be enjoy'd.” With the increasing ...
Página 129
The empathic involvement of the poet is only the dramatic emergence of the
symbols seen from a bias; and the progress towards a condition of mystic
oxymoron is itself the emergence of the symbols and the annihilation of the poet's
identity.
The empathic involvement of the poet is only the dramatic emergence of the
symbols seen from a bias; and the progress towards a condition of mystic
oxymoron is itself the emergence of the symbols and the annihilation of the poet's
identity.
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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