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Página 32
Landor , Southey , and Sandys may all have contributed to that Miltonic turn :
How beautiful , if sorrow had not made Sorrow more beautiful than Beauty's self .
18 “ But in no instance is this sort of perseverance more exemplified , than in
what ...
Landor , Southey , and Sandys may all have contributed to that Miltonic turn :
How beautiful , if sorrow had not made Sorrow more beautiful than Beauty's self .
18 “ But in no instance is this sort of perseverance more exemplified , than in
what ...
Página 58
The insight, substantiated by his own experience, leads him next to turn upside
down the old fable of the spider and the bee, especially as Swift used it. The
appeal of the spider as a symbol is that the points of leaves and twigs on which it
...
The insight, substantiated by his own experience, leads him next to turn upside
down the old fable of the spider and the bee, especially as Swift used it. The
appeal of the spider as a symbol is that the points of leaves and twigs on which it
...
Página 64
The capacity for imaginative identification , in other words , is not instinctively or
mechanically obliged to turn in one direction rather than another : the sole means
by which “ I can anticipate future objects , or be interested in them , ” throwing ...
The capacity for imaginative identification , in other words , is not instinctively or
mechanically obliged to turn in one direction rather than another : the sole means
by which “ I can anticipate future objects , or be interested in them , ” throwing ...
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote