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Página 19
The staid Bailey deplored the “indelicacy,” and wished that Keats had not been
inclined toward “that abominable principle of Shelley!—that sensual love is the
principle of things.” Though Miss Lowell's refusal to see symbolism. * Murry,
Keats ...
The staid Bailey deplored the “indelicacy,” and wished that Keats had not been
inclined toward “that abominable principle of Shelley!—that sensual love is the
principle of things.” Though Miss Lowell's refusal to see symbolism. * Murry,
Keats ...
Página 79
Earlier he has wished to win Madeline while “ pale enchantment held her sleepy
- eyed ” ( 169 ) . Here he would assist " pale enchantment ” with a " Morphean
amulet . ” It may not be amiss to recall Lovelace , and the stratagem by which he ...
Earlier he has wished to win Madeline while “ pale enchantment held her sleepy
- eyed ” ( 169 ) . Here he would assist " pale enchantment ” with a " Morphean
amulet . ” It may not be amiss to recall Lovelace , and the stratagem by which he ...
Página 164
... more than any other member of the Romantic group, Keats saw that what was
required was the flowing out of the imagination to apprehend event and
circumstance and to show them creatively. He wished to get beyond lyric and
subjectivity.
... more than any other member of the Romantic group, Keats saw that what was
required was the flowing out of the imagination to apprehend event and
circumstance and to show them creatively. He wished to get beyond lyric and
subjectivity.
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Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
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Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote