Dentro del libro
Resultados 1-3 de 32
Página 39
At any rate he wrote The Eve of St. Agnes and the odes; late in the summer he
wrote Lamia, and set about the recasting of Hyperion. The Fall of Hyperion was
his last effort to integrate his faculties and impulses, and to set forth his
conception ...
At any rate he wrote The Eve of St. Agnes and the odes; late in the summer he
wrote Lamia, and set about the recasting of Hyperion. The Fall of Hyperion was
his last effort to integrate his faculties and impulses, and to set forth his
conception ...
Página 130
One certainly cannot attain it by pursuing it as a goal: Dilke, Keats wrote, “will
never come at a truth as long as he lives; because he is always trying at it.”
Contrarily, then, truth is as much the reward of “negative capability”—the power to
have ...
One certainly cannot attain it by pursuing it as a goal: Dilke, Keats wrote, “will
never come at a truth as long as he lives; because he is always trying at it.”
Contrarily, then, truth is as much the reward of “negative capability”—the power to
have ...
Página 159
To document other considerations that enter would involve (as with every major
poem Keats wrote) a recapitulation of much of his life. Yet, since this is the last
great lyric that Keats wrote, we may mention three of the many preoccupations
and ...
To document other considerations that enter would involve (as with every major
poem Keats wrote) a recapitulation of much of his life. Yet, since this is the last
great lyric that Keats wrote, we may mention three of the many preoccupations
and ...
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Contenido
INTRODUCTIONWalter Jackson Bate | 1 |
SCEPTICISM IN | 71 |
THE ODE TO PSYCHE AND THE ODE ON MELANCHOLY | 91 |
Derechos de autor | |
Otras 6 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Agnes appear beauty become begins called century close comes completely course critics death described drama dream edited Endymion English Eros and Psyche essence existence experience expression eyes fact Fall feel figures final followed happy heart heaven's bourne human Hyperion idea ideal identity images imagination immortal intense interest John Keats Keats's Lamia later least leave less letter light lines lives lovers Lycius Madeline meaning merely Milton mind Mnemosyne mortal movement moves nature never nightingale object pain passage passion perhaps pleasure poem poet poet's poetic poetry Porphyro present Press Psyche reality romantic says seems sense song soul speak spiritual stanza suggests sweet symbols thing third thou thought tion touch truth turn University vision Wordsworth writing written wrote