Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 páginas "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Dentro del libro
Resultados 1-5 de 30
Página 13
... problem which is fatal to them and would be easy to another , and sometimes brings it to them just when they are least fitted to face it ? " The standard illustration is Othello and Hamlet . Reverse their predicament and there is no ...
... problem which is fatal to them and would be easy to another , and sometimes brings it to them just when they are least fitted to face it ? " The standard illustration is Othello and Hamlet . Reverse their predicament and there is no ...
Página 15
... problem is a haunting approximation to Shake- speare's : To sum up : your father , whom you love , dies , you are his heir , you come back to find that hardly was the corpse cold before his young brother popped on to his throne and into ...
... problem is a haunting approximation to Shake- speare's : To sum up : your father , whom you love , dies , you are his heir , you come back to find that hardly was the corpse cold before his young brother popped on to his throne and into ...
Página 22
... problem . The Venetian state , speaking through Lodovico , reasserts its power , and with it the power of reason . The broken communication between Cyprus and Venice , body and mind , is re- stored . " Myself will straight aboard , and ...
... problem . The Venetian state , speaking through Lodovico , reasserts its power , and with it the power of reason . The broken communication between Cyprus and Venice , body and mind , is re- stored . " Myself will straight aboard , and ...
Página 25
... problems that have racked it . In varying shapes , the roles that post - tragic society needs are those of healer , histo- rian , leader , and executive . Such roles can be " doubled " or sepa- rated , and apply with differing force to ...
... problems that have racked it . In varying shapes , the roles that post - tragic society needs are those of healer , histo- rian , leader , and executive . Such roles can be " doubled " or sepa- rated , and apply with differing force to ...
Página 35
... problems of the later stages ( Peter Brook cut " both baked in this pie " ) fall into place if one views them in this light . Laughter is integral to Titus Andronicus , making the play a generic fusion of tragic horror and jet - black ...
... problems of the later stages ( Peter Brook cut " both baked in this pie " ) fall into place if one views them in this light . Laughter is integral to Titus Andronicus , making the play a generic fusion of tragic horror and jet - black ...
Contenido
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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Términos y frases comunes
action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
Pasajes populares
Página 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
Página 150 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Página 95 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Página 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Página 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Página 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
Página 48 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
Página 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Página 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.