Page 28 116 46 46 46–47 ir An Elegy in commemoration of One and Twenty 33-486 78 76 II2 II 49 II 83 60–74 38 ji C ο Ν Τ Ε Ν Τ ́ S. E Eisteddvod, or Congress of the Bards held triennial in the reign of Cadwalader, 95 114-115 31-46 Eisteddvodau held at Caerwys, under the auspices of Queen 116 Elizabeth, A fummons for an Eisteddvol, to all Profeffors of Poetry and Music, by the authority of King Henry the VIUth, 55 Englynion i'r Eos, or extempore itanzas on the Nightingale, which were the fruit of a Poetical Contest, 34-35-3€-105 80 The term Canon, (or Song in parts,) appears in the Sixth Of the three Enign Bards, 82 Century, 105 Muticians and Puets, and foretelling the decline 33-83 50-51-52 Clera of the Bards, or Musical Circuit, The Extent Book of North Wales, 87 Cyff Clér, or the Butt of the Cler, 34 Elisha the Prophet thought Mutic necessary to excite 69 him to a fit difpofition for receiving the impression The Cornwalians began to lose their Celtic dialect in the of the Spirit of God, 91 69 reign of Elizabeth, Englynion, or Poetical Bloftoms, 75--76–77-78 Corn Buelin, 27-117 Specimens of Englynica in Latin, 67 Devout Englynion, by four different Bards, 78 68 Claudius Phillips, the Harper; his Epitaph by Dr. Johnson, 50 A beautiful Englyn upon a Woman's Kiss, 75 A Charter granted to the King of the Minstrels, A remarkable Englyn on the faithful Greyhound of Prince Llewerlyn, 75 Mutic Court of the Honour of Titbury, 109-110-111-112 Evan Mailan, Harper to Queen Anne, and Performer on the Harp, in the choir of Westminster Abbey, The Seven Excellences which a man ought to possess, 82 Extempore Effufions, or Pennillion, King Edward's Harper ved his life from affaffination, Edward the Fırít destroyed the Well Bards, 38 Borlafe's Antiquities of Cornwall, Chap. XII. p. 258, &c.; The Father of English Poetry, 16–100 and plate XXIII. second edition.) 8 The Errors of the Press, F The three Honcurable Feafts of Britain, 6-So Of the Horn given by King Canute to the Pufey family, The Fine for friking a Harper, 23 Of Freckled Faces. 69 D The three Family Beauties, 80 The three Orders of Druids, 2---3---I23 Druidical Verses, 4-5 G 6 8 Druids and Bards, the Fathers of Science, 3--7-8 Gréal, or St. Gröal, the holy collection of Legends, 6 Giraldus Cambrensis's account of Tellh Music and 7-93 34-35-95 The Druids were supposed to be the first Framers of Laws Sir John Gower, of Glamorgan Nire, the Father of 16-100 13--37-38 Disciples of the Druids studied twenty years, 4 81 The three primary requisites of Genius, Gruffydd ab Conan created Laws to reform Abuses among 28-29 Druids and Bards resume their Functions, 7 Donations and Privileges appointed by the statute of The Druids took refuge in Ireland, Bardsey, and the Isle Prince Gruffyıld ab Conan to be given to all the of Man, 9 Bards and Musicians, The Bards and Druids had an extraordinary veneration The Four and Twenty ancient Games of the Welsh 105 The Horn of Sir Piers Gruffydd, of Penrhyn, 56—79 H 26 Howel Dda's Laws, An Heroic Poem, 174&c. without the interposition of any visible hand, pour go The Harp the most Ancient of all Instruments, 90 The Harp totally different from the Grecian Lyra, 117 The Harp of David had Ten Strings, and was made of Cedar, 92 Davydd ab Gwilym, the Bard, 42-&c. Anciently, among the Welsh, the Harp was one of the Ą Translation of Davydd ab Gwilym's Cowydd y Delyn Ledr, 102 94 indispensable accomplishments for a Gentleman, The iii IOI I 2 95-16 1 1 21 99 22 114 106 Page The three Lawful Harps of the Well, 94 A Print, or Trophy, of some of the Welfh Musical InstruThe Privileges of a Bard, or Harper, 94 ment; viz. the Triple Harp, the Crzúth, the Criith TriFemale Performers on the Harp among the Ancient Welsh, 95 thant, the Pibgorn, the Bigle Horn, and the Tabret or The Harp of Holy Kejeinus, 95 Drum; with fone Specimens of the Ancient Musical Panegyrics on the Harp by Sacred Writers, Bards, Notation of the Welili, at the bottom of page 89 and Poets, 103-101-99 The Welsh formerly had Six kinds of Musical lostruments, 122 A List of Poems written to solicit a Harp, Musical Instruments of Ireland in the year 1188 95 Hair-strung Harp, 28-32-102 The Irish formerly used the Bagpipes as an incentive to llar, 93 Poem on the Leathern Harp, Of the Musical Instruments of the Ancient Britons, extracted Progreffive improvemets aud compass of the Welsh from the Welli Laws, '114 Harps, viz. the Harp with a single row, a double The three Indispenfibles for an Instrumental Musician, 82 row, and a triple row, of strings, 103-104 K Harmony in all probability was first played on the Harp, - 105 The three Golden-tongued Knights of King Arthur's Court, 10 The Harpfichord firft originated from the Harp, 97-104 The three Knight-Countellors of King Arthur's Court, The Harp the Armorial Enlign of Ireland, 99 The Insatiable Kisser, Anciently the Italians had not the Harp, 97 75 When the Harp was firit introduced into Italy, it L contained three Octaves, and afterwards of Lucius, the first Christian King of Britain, two rows of frings, The three Holy Lineages of Britain, 8 The Harp formerly in use among the Scots, where Llywarch Hén, the Cumbrian Prince, and a noted Bard, there is a Bardic Veftige still remaining, ၄9 The Lamenta:ions of Llywarch llen, Thom. de Pinedo's account of the Harp, Llyur di o Gaer Vyrddin; a Minutcript, 15 Le diet de la Harp, Ilyur-Cach o Hergeff; a no nulip, 16 The etymology of Telyn, or Harp, 113 Ot the Lyra, Testudo, Barbiton, Kishara, Fhor minx, or Chelys, The Pedal Harp, 105 in 90-91 Æolian Harp, 106 564748–79 Of the I beban Harp, The three Exciters of Love, 82 Bell Harp, 107 M Jaw's-Harp, erroneously termed Jews-Harp, 107 Hurdy Gourdy, 107-91 56--574,8—59 Henry the Fifth's Grand Coronation, The Mead Song, by Taliesin, The Saxons, probably, had not the Harp, nor letters, Mead, Bragget, Ale, Clary-wine, &c. 118-21 prior to their arrival in Britain, 7–8—106 Myrddin ab. Mervryn, the Bard, 23 Hirlas, the Drinking Horn of Owen Cyveiliog, 118—&c. Myrddin Emrys, the Magician, 23 Three Social Horns allotted for the use of the King, The Monarchal Song of Britain, 117 27-9+ The Horn of St. Patrick, Meynen Gwynedd, 26 The Bugle Horn, Aloroyd I's Pipes, 26 A new Æra of British Harmony, 55 Music and Poetry were inseparably united in the same person A remarkable Account of Hugh Llwyd Cynvael, the Poet in the reign of Hozvel, 28 and Warrior, The names of the four-and-twenty Metres of Melh Poetry, 30 A Hunter's Horn supposed to have been given by John of The names of the four-and-twenty Measures of WJh Music, 29 Gaunt, Duke of Lancaster, to the Escheator and Coro- An Ancient Welsh Musical Manuscript written in an uncom. ner of the Honor of Titbury, mon Notation, 28 According to the old Welfh Hunting Laws, every person A series of celebrated Musicians, and when they that carried a Horn was obliged to know the Nine Chaces, 118 flourished, 38-48-49-50 Stanzas on a Pack of Hounds, 74-77 Of the National Melodies, or Bardic Tunes of the The lager Horr, Ancient Britons, 38-55-122 The three Golden-robed Heralds of Britain, Musical and Poetical Circuits of the Bards, The three War-tombed Heroes of Britain, Ancient Welsh Manufcripts, 1-9-15-16-79—87-&c. The privilege of sounding the Trumpet among the Musicians, and other Votaries of the Druidical Ceremonies, 121-&c. 5 The Harp totally different from the Grecian Lyra, Of the Milletoe 90 4 Madoc ab Owen Gwynedd, first discovered America, 37 I Mufical and Poetical Contelts, 26-27-31-34-46-47-50-58-85 Ithel, Iorwerth, and Yr Athro Védd, supposed to have been The three chief Magicians of the Island of Britain, 79 Druids, 26 The three graduated Songsters, or Musicians, 95 81 The three principal kinds of Welsh Metres, fician, and performer on the Harp, 99 The various degrees of Musicians, Stanza on the Igyuan Vach, Memorandums respecting some of the Bards and Historians, A Differtation on the Musical Instruments of the with an Account of their Works, Aboriginal Britons, or Weith, 90, to 122 108-&c. Th 21 I 21 I 20 109-&c: 1 82 66 38 87 122 91-&c. iv Page 112-113 44-&c Alternate Singing with the Harp, 61-106 Song on a Bird, 69 108 Siôn Tudur's Messages to his Sweetheart, 77 12 80 82 122-55 The three forts of Songsters, 87 The three efTences of vocal Song, The seven Liberal Sciences, The Teulúrr, or Family Songster, and his profession, 13-15 The three branches of vocal Song, The three inferior Songiters, or Minffrels, Musical Instruments of Scotland mentioned, 95 122—60-&c. Heroic Songs efficacious in War, Note five in page To fing in turn at feasts appears to have been customary 12-&c. 106 62-&c T The Ancient Triads of the land of Britain, 9-10-11-12-76 42 The Trees and Plants ntentioned in Druidical vérses, The five Royal Tribes of Wales, and 15 Special Tribes, 31-26 Taliesin, the celebrated Bard, 184&c. 62 26—27-29—35 5 The accession of a Tudor to the throne was the happy 77 æra destined to recal the exiled Arts of Wales 46-130 9 Taum Bach, the celebrated Harper, 138&c. 57 81 81 13—121 The three primary Triad of Tens, The three Things commendable in a man, 60, to 74 83 117 7+ T. Tabwrdd, or Tabret, 52 The Sophar, or Trumpet; God gave direction to Moses 50-101 for making that Instrument, The Bards and Druids had an extraordinary veneration for 105 83-84 U 116 19 81 The three Universalities of the World, 118 Ulphus's Horn, 93-114-116 Unbeniaeth Prydain, the Monarchal Song of Britain, 27-9+ V 94 The Hallelujah Victory gained by the Britons, 31 W Anciently, the Welsh inhabited all this Iland, 69-122 34 Of the Music of the Well, 38–54-55-122 76 The Wellh language anciently common to all Britain, by--172 33-86 The Beauties of the Welsh Language, 80 The three lawful Weapons, 81 The three foundations of Wisdom, The Hospitality and Liberality of the Wellh, as described by 104 Giraldus, Waits, or Serenaders; see the 8th Note in page Wassail Cup of the Apostles, &c. 13-88 The Welsh formerly had Six kinds of Musical Instruments, 123 5 The favourite ftyle of Music of the Wellh, 81 121 21 12 53-54 95 112 121 1224&c. THE THE INDEX TO TO THE THE TUNES AND SONGS. A AR býdy Nós, Page 172 178 M 124 129 149 153 Page Hoffedd Modryb Marged, Hud y Bibell, Hela 'r ysgyvarnog, Hob y Dyliv, Hai down, Hwb y Dyriv, Mallded Dolgelleu, Mwynen Cynwyd, Morva Rhuddlan, Merch Megan, Malltraeth, Megen a gollodd ei gardas, Mentra Gwen, Maldod Arglwyddes Owen, Mantell Siani, MzUyên Môn, 168 172 Pen rhaw, Plygiad y Bedol, 179 Rhyvelgyrch Cádpen Morgan, Rhyban Morwydd, Serch Hudol, Sawdly Vurch, Sto gan, 157 N Nós galan, P R 140 Absen-dón, Anhawdd ymadael, B ymaith, с D E F G н THE NAMES OF THE THE SUBSCRIBERS. HER MOST GRACIOUS MAJESTY THE QUEEN. B Marquis of Buckingham. Marchioners of Buckingham. Lord Bagot. Lady Bagot. Marquis of Blandford. Dutchess of Beauford. Lord Bulkeley. Lady Bulkeley. Countess of Buckinghamshire. Lady Bligh, Hereford-ftreet. Lady S. Bligh. Bodleian Library, Oxford. John Bury, Esq. Miss Burt. Mr. Barham. General Burgoyne, Lord Berkeley Duke of Buccleugh. Capt. Baker. Miss Barry. Miss C. Barry Lady Beauchamp. Sir Henry Bridgeman, Miss Bridgeman. Dr. Bever. Mr. Bolton. Mrs. Bowyer, Vere-street. Dr. Burney Mr. Burney, Organist, Salop. Mrs. Wilbraham Bootle, Bloomsbury-square. Miss E. Bootle. Mr. Buller-Yard, Hereford-street, Oxford-street. Mr. Brown, Organist, Litchfield. Dr. Warren, Bishop of Bangor. Lady Bampfield. Hon. Daines Barrington. Miss Baillie, Bedford-Square. Mrs. Barton, St. Andiew's court, Holborn. Mr. Buckholme. с D E |