Mimic Life: Or, Before and Behind the Curtain. A Series of NarrativesTicknor and Fields, 1856 - 408 páginas |
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Página xi
... Arm and a Tragedian's Point , in the Estimation of Mr. Upton . Inter- ference of Mr. Higgins . Subserviency of Mr. Tuttle , the Stage - Manager . Virtue of a Leathern Girdle . - Tina and a Stray Sunbeam . The Sphere of Childhood . - Its ...
... Arm and a Tragedian's Point , in the Estimation of Mr. Upton . Inter- ference of Mr. Higgins . Subserviency of Mr. Tuttle , the Stage - Manager . Virtue of a Leathern Girdle . - Tina and a Stray Sunbeam . The Sphere of Childhood . - Its ...
Página 12
... bearing , which characterize the American maiden at eighteen ; the precise opposite of the swelling form , the rounded arms , dimpled shoulders , and firm car- riage , that distinguish an English girl at the same 12 STELLA .
... bearing , which characterize the American maiden at eighteen ; the precise opposite of the swelling form , the rounded arms , dimpled shoulders , and firm car- riage , that distinguish an English girl at the same 12 STELLA .
Página 26
... arm uplifted , exclaiming , wildly , " With some great kinsman's bone , as with a club , Dash out my desperate brains ! " Her mother uttered a feeble shriek , and drew back affrighted . Mattie's quick ears caught the sound , and she ran ...
... arm uplifted , exclaiming , wildly , " With some great kinsman's bone , as with a club , Dash out my desperate brains ! " Her mother uttered a feeble shriek , and drew back affrighted . Mattie's quick ears caught the sound , and she ran ...
Página 52
... arm - chair where you are now sitting , she signed her first contract with me . Poor Lydia ! " --- Mr. Belton paused and hemmed , and turned over the play - bills hastily , as though he were fearful of betraying an emotion in the ...
... arm - chair where you are now sitting , she signed her first contract with me . Poor Lydia ! " --- Mr. Belton paused and hemmed , and turned over the play - bills hastily , as though he were fearful of betraying an emotion in the ...
Página 55
... breadth . " Stella had never found it so difficult to command her limbs . She half stumbled , and clung to Mr. Oakland's arm for support . Her fancy peopled those vacant boxes with cold , critical eyes , that froze STELLA . 55.
... breadth . " Stella had never found it so difficult to command her limbs . She half stumbled , and clung to Mr. Oakland's arm for support . Her fancy peopled those vacant boxes with cold , critical eyes , that froze STELLA . 55.
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50 cents actors actress Albert Allsop Altorf appeared Ariel arms asked audience Belton called child Cora countenance curtain curtsey daugh daughter dear débût Desdemona door dramatic dress ears Edmonton Elma Elma's entered Evadne exclaimed eyes face Fairfax father fear Fisk flowers Floy Gesler Gisippus green-room hand head heart Heaven Higgins hour Hubert Iago Icilius Juliet lady laugh lifted light lips look Lord Oranmore Mattie mind Miss Amory Miss Doran Miss Rosenvelt morning Mortimer Mortimer's mother never night novice Oakland Othello pantomime passed Percy Perdita person play POEMS Pottle Price 75 cents prompter rehearsal replied returned Robin Rolla rose Ruthven scene seat seemed smile soul spirit stage Stella stood Susan sweet Tennent theatre theatrical thee thought Tina Tina's tion tone tragedian Truehart turned uncon uttered Virginia voice walked watch whispered wings words young girl