Musical and Poetical Relicks of the Welsh Bards: Preserved, by Tradition and Authentic Manuscripts, from Very Remote Antiquity; Never Before Published; to the Bardic Tunes are Added Variations for the Harp, Piano-forte, Violin, Or Flute, with a Select Collection of the Pennillion, and Englynion; Or, Poetical Blossoms, Epigramatic Stanzas and Pastoral Songs of Wales, with English Translations; Likewise, a General History of the Bards and Druids |
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Página 62
The Harp in Howeľs arms reclin'd , Warbles responsive to his mind ; What joys
would thrill this ravish'd breast , So to his manly bosom prest ! eye , thine hand ,
Dy liw , dy lún , dy law , dy lygad , Dy wên dég , a'th ysgavn droediad ; Dy lais
mwyn ...
The Harp in Howeľs arms reclin'd , Warbles responsive to his mind ; What joys
would thrill this ravish'd breast , So to his manly bosom prest ! eye , thine hand ,
Dy liw , dy lún , dy law , dy lygad , Dy wên dég , a'th ysgavn droediad ; Dy lais
mwyn ...
Página 96
great care . are wont to let the nails of both their hands grow to a considerable
length , trimming them with in the manner we see the quills on the jacks of the
Spinnets . The number of strings are 54 , 56 , and as far as 60 ; whereas we read
, that ...
great care . are wont to let the nails of both their hands grow to a considerable
length , trimming them with in the manner we see the quills on the jacks of the
Spinnets . The number of strings are 54 , 56 , and as far as 60 ; whereas we read
, that ...
Página 104
In playing upon the Welsh Harp , as well as the Irish Harp , it has always been
customary to incline it against the left shoulder , and to play the treble with the left
hand , and the bass with the right hand . But , the contrary is now more usual in ...
In playing upon the Welsh Harp , as well as the Irish Harp , it has always been
customary to incline it against the left shoulder , and to play the treble with the left
hand , and the bass with the right hand . But , the contrary is now more usual in ...
Página 105
At the same time , I am rather an advocate for the Triple Harp , because I admire
its venerable and stately appearance ; and particularly the sweet re - echoing
effect of its unifons , which are played with both hands , and are peculiar to that ...
At the same time , I am rather an advocate for the Triple Harp , because I admire
its venerable and stately appearance ; and particularly the sweet re - echoing
effect of its unifons , which are played with both hands , and are peculiar to that ...
Página 150
And that's the only life to live . 3 6 Our Name , while Virtue thus we tender ,
Through Youth and Age in love excelling , Will sweetly found where - e'er ' tis
fpoke : We'll hand in hand together tread ; And all the great ones , they shall
wonder ...
And that's the only life to live . 3 6 Our Name , while Virtue thus we tender ,
Through Youth and Age in love excelling , Will sweetly found where - e'er ' tis
fpoke : We'll hand in hand together tread ; And all the great ones , they shall
wonder ...
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Términos y frases comunes
according afterwards alſo ancient Antiquities appears arms Arthur Bard battle beautiful Britain Britiſh Britons called celebrated century chap chief Bard compoſed Court Crwth Davydd death Druids Engliſh fair fame firſt flouriſhed four give hand harmony Harp Harper heart Henry Hiſtory honour Horn inſtrument invented Italy John kind King land language laws learned likewiſe lived Lord manner melody mentioned Minſtrels moſt Muſic muſicians nature North notes origin Owen performer period perſon played poem Poet poetical Poetry praiſe preſent Prince probably Queen recorded reign remains ſaid ſame ſays ſhall ſhould ſing ſome ſon Song ſound ſtill ſtrings ſubject ſuch Telyn theſe things thoſe thou tune uſed verſe Wales Welſh whoſe written wrote
Información bibliográfica
| Título | Musical and Poetical Relicks of the Welsh Bards: Preserved, by Tradition and Authentic Manuscripts, from Very Remote Antiquity; Never Before Published; to the Bardic Tunes are Added Variations for the Harp, Piano-forte, Violin, Or Flute, with a Select Collection of the Pennillion, and Englynion ... Musical and Poetical Relicks of the Welsh Bards: Preserved, by Tradition and Authentic Manuscripts, from Very Remote Antiquity; Never Before Published; to the Bardic Tunes are Added Variations for the Harp, Piano-forte, Violin, Or Flute, with a Select Collection of the Pennillion, and Englynion; Or, Poetical Blossoms, Epigramatic Stanzas and Pastoral Songs of Wales, with English Translations; Likewise, a General History of the Bards and Druids, Edward Jones |
| Autor | Edward Jones (Bardd y brenin.) |
| Edición | 3 |
| Editor | author, 1808 |
| Procedencia del original | Universidad de Harvard |
| Digitalizado | 12 Mar 2018 |
| Exportar cita | BiBTeX EndNote RefMan |