Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 páginas |
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Página 284
... principle , or in distinguishing an unknown cause from the individual and varying circumstances with which it is ... principle . The impression of an abstract principle is faint and doubtful in each 284 ON LIFE IN GENERAL.
... principle , or in distinguishing an unknown cause from the individual and varying circumstances with which it is ... principle . The impression of an abstract principle is faint and doubtful in each 284 ON LIFE IN GENERAL.
Página 415
... principle of contrast is , however , the same in all the stages , in the simply laughable , the ludicrous , the ridiculous ; and the effect is only the more complete , the more durably and pointedly this principle operates . To give ...
... principle of contrast is , however , the same in all the stages , in the simply laughable , the ludicrous , the ridiculous ; and the effect is only the more complete , the more durably and pointedly this principle operates . To give ...
Página 580
... principle of contrast , contradiction , and excess , to enliven and set it off and keep it at a safe distance from sameness and insipidity . The different styles of art and schools of learning vary and fluctuate on this principle ...
... principle of contrast , contradiction , and excess , to enliven and set it off and keep it at a safe distance from sameness and insipidity . The different styles of art and schools of learning vary and fluctuate on this principle ...
Contenido
On the Love of the Country | 3 |
On the Ignorance of the Learned | 13 |
On Living to Onesself | 24 |
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Términos y frases comunes
admiration answer appearance beauty become better called character circumstances common conversation critic death delight effect English equally expect expression face fancy feeling French friends genius give hand head hear heart hope human idea imagination impression instance interest keep knowledge laugh learned least leave less light live look manner matter means mind nature never object observation once opinion original ourselves pain painting pass passion perhaps person picture play pleasure poet poetry present principle question reason respect round seems seen sense side sort sound speak spirit stand style supposed talk taste things thought tion true truth turn understanding virtue whole wish write