La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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Seite 10
Two other traditions , on the other hand , though not verified — what is more ,
they are unverifiable - coincide perfectly with analysis of the libretto , the
character of which they explain · very well . The first is that the plan and large
outlines of the ...
Two other traditions , on the other hand , though not verified — what is more ,
they are unverifiable - coincide perfectly with analysis of the libretto , the
character of which they explain · very well . The first is that the plan and large
outlines of the ...
Seite 85
Recalling my earlier work , I was struck by the similarity of the plan of the Overture
to Die Zauberflöte — the Masonic character of which was publicly acknowledged
— to that of the opening of the “ Dissonant ” Quartet . I became convinced that ...
Recalling my earlier work , I was struck by the similarity of the plan of the Overture
to Die Zauberflöte — the Masonic character of which was publicly acknowledged
— to that of the opening of the “ Dissonant ” Quartet . I became convinced that ...
Seite 194
To say , as the Massins tried to say , that they evoke “ the artificial nature of the
character ” is not convincing : at that time , such vocal prowess was not at all
scorned by esthetes , as it is now . Quite the contrary . Here they transmit , on the
word ...
To say , as the Massins tried to say , that they evoke “ the artificial nature of the
character ” is not convincing : at that time , such vocal prowess was not at all
scorned by esthetes , as it is now . Quite the contrary . Here they transmit , on the
word ...
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Inhalt
What Everyone knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte