La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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Seite 119
To the cries of alarm that he had emitted when alone and face to face with himself
, the answer is the call to emerge from himself ( the portrait aria ) . ” 1 The victory
over the serpent was an episode in Sethos ( Book III ) , but Sethos does not kill ...
To the cries of alarm that he had emitted when alone and face to face with himself
, the answer is the call to emerge from himself ( the portrait aria ) . ” 1 The victory
over the serpent was an episode in Sethos ( Book III ) , but Sethos does not kill ...
Seite 148
Pamina is sleeping with her face in the moonlight , the moon being a feminine
star . Monostatos ( incarnation of the Earth ) enters and seats himself on a grassy
bank in the foreground ( that is , near the Earth ) . After a silence : “ There she is ...
Pamina is sleeping with her face in the moonlight , the moon being a feminine
star . Monostatos ( incarnation of the Earth ) enters and seats himself on a grassy
bank in the foreground ( that is , near the Earth ) . After a silence : “ There she is ...
Seite 205
We observe the similarity of the rising chords to those which , at the beginning of
the act , emphasized Tamino ' s call for help when he first saw the serpent . B .
Papageno Face to Face with Monostatos The music becomes frankly comedic .
We observe the similarity of the rising chords to those which , at the beginning of
the act , emphasized Tamino ' s call for help when he first saw the serpent . B .
Papageno Face to Face with Monostatos The music becomes frankly comedic .
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris passed perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte