La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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Seite 86
Five , in fact , is the combination of the first even number , feminine , maternal ,
schizogenetic ( Two , dyad ) , and the first uneven number ( male , asymmetric )
— that is , : complete ( Three , triad 6 ) . ” Five , then , will be feminine because of
its ...
Five , in fact , is the combination of the first even number , feminine , maternal ,
schizogenetic ( Two , dyad ) , and the first uneven number ( male , asymmetric )
— that is , : complete ( Three , triad 6 ) . ” Five , then , will be feminine because of
its ...
Seite 110
As representing the feminine world from which Pamina has come , and from
which she just has been uprooted , the messengers of its Queen naturally are
presented , as in the table on p . 100 , as opposing to the masculine Masonry of
Hiram ...
As representing the feminine world from which Pamina has come , and from
which she just has been uprooted , the messengers of its Queen naturally are
presented , as in the table on p . 100 , as opposing to the masculine Masonry of
Hiram ...
Seite 290
... imperfect society of women — she will become Monostatos ' s wife , thus
returning to her condition of low femininity . ... the orchestra will go back
opportunely to the rhythm of five notes of the feminine knocking that inaugurated
the opera at ...
... imperfect society of women — she will become Monostatos ' s wife , thus
returning to her condition of low femininity . ... the orchestra will go back
opportunely to the rhythm of five notes of the feminine knocking that inaugurated
the opera at ...
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris passed perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte