La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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Seite 85
Recalling my earlier work , I was struck by the similarity of the plan of the Overture
to Die Zauberflöte — the Masonic character of which was publicly acknowledged
— to that of the opening of the “ Dissonant ” Quartet . I became convinced that ...
Recalling my earlier work , I was struck by the similarity of the plan of the Overture
to Die Zauberflöte — the Masonic character of which was publicly acknowledged
— to that of the opening of the “ Dissonant ” Quartet . I became convinced that ...
Seite 132
III / OPENING OF THE LABORS AND THE DELIBERATION OF THE INITIATES
Every ceremony of reception begins with the “ solemn opening of the labors . ” It
starts with a processional entrance of the Brothers , which the Master of the ...
III / OPENING OF THE LABORS AND THE DELIBERATION OF THE INITIATES
Every ceremony of reception begins with the “ solemn opening of the labors . ” It
starts with a processional entrance of the Brothers , which the Master of the ...
Seite 215
Apropos of the opening chords of the Overture , we said that the “ modal ”
degrees 3 and 4 always are used evocatively , most often in a religious sense —
and with this exact repetition we are entering the very heart of the religious
mystery .
Apropos of the opening chords of the Overture , we said that the “ modal ”
degrees 3 and 4 always are used evocatively , most often in a religious sense —
and with this exact repetition we are entering the very heart of the religious
mystery .
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Inhalt
What Everyone knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte