La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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Seite 117
THE MEN IN ARMOR These two episodic characters , who intervene at the
moment when Tamino and Pamina are undergoing the two final trials , by Fire
and Water , are perhaps the most mysterious in the story . The usual translation , "
armed ...
THE MEN IN ARMOR These two episodic characters , who intervene at the
moment when Tamino and Pamina are undergoing the two final trials , by Fire
and Water , are perhaps the most mysterious in the story . The usual translation , "
armed ...
Seite 195
Introduction ( recitative ) and two - part aria : largo and allegro in the key of B - flat
major , which perhaps evokes the imperfect initiation of the great nocturnal
priestess ( only two flats , whereas Sarastro is given three ) . ist Recitativo
stromentato ...
Introduction ( recitative ) and two - part aria : largo and allegro in the key of B - flat
major , which perhaps evokes the imperfect initiation of the great nocturnal
priestess ( only two flats , whereas Sarastro is given three ) . ist Recitativo
stromentato ...
Seite 222
Vielleicht sah er Pamina schon " ( Perhaps he has already seen Pamina ) , the
prince says with unchanged enthusiasm ( the same “ intervallic " leaps ) . “
Vielleicht führt mich der Ton zu ihr ” ( Perhaps his melody will lead me to her ) —
and he ...
Vielleicht sah er Pamina schon " ( Perhaps he has already seen Pamina ) , the
prince says with unchanged enthusiasm ( the same “ intervallic " leaps ) . “
Vielleicht führt mich der Ton zu ihr ” ( Perhaps his melody will lead me to her ) —
and he ...
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris passed perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte