La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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Seite 62
... repeated more and more insistently , about the real or supposed responsibility
of interÅrnational Freemasonry ; furthermore , public opinion confused ' ; without
much distinction several more or less parallel sects , among them the “ Bavarian
...
... repeated more and more insistently , about the real or supposed responsibility
of interÅrnational Freemasonry ; furthermore , public opinion confused ' ; without
much distinction several more or less parallel sects , among them the “ Bavarian
...
Seite 70
The suggestion , a malicious deformation of the then current practice of Masonic
banquets , probably reflects some rancor on Giesecke ' s part toward his onetime
director ; it is not repeated in any other source . When the regrouping of the ...
The suggestion , a malicious deformation of the then current practice of Masonic
banquets , probably reflects some rancor on Giesecke ' s part toward his onetime
director ; it is not repeated in any other source . When the regrouping of the ...
Seite 95
That final prescription will be repeated often throughout ! Die Zauberflöte ( Nos .
9A , 11 , 12 ) , and it will not be , as it has ! often been called , a formless
patchwork of “ antifeminist tirades ” inserted without reason , but the very
foundation of the ...
That final prescription will be repeated often throughout ! Die Zauberflöte ( Nos .
9A , 11 , 12 ) , and it will not be , as it has ! often been called , a formless
patchwork of “ antifeminist tirades ” inserted without reason , but the very
foundation of the ...
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris passed perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte