La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
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On the rhythm of this rapping in five we are unhappily uncertain , as its usage has
been abolished and the documents that I have been able to consult do not spell it
out . Therefore I cannot say whether or not the rhythm presented at the ...
On the rhythm of this rapping in five we are unhappily uncertain , as its usage has
been abolished and the documents that I have been able to consult do not spell it
out . Therefore I cannot say whether or not the rhythm presented at the ...
Seite 223
What he can do is to sound the five notes of his fluting without noticing that they
repeat the futile rhythm just sounded by the second violin . Tamino answers on
his magic Aute : this is the exact inversion of the preceding scene . Duet in thirds
...
What he can do is to sound the five notes of his fluting without noticing that they
repeat the futile rhythm just sounded by the second violin . Tamino answers on
his magic Aute : this is the exact inversion of the preceding scene . Duet in thirds
...
Seite 235
8 , this number starts in a meditative tone and ends in a march in dotted rhythm .
The initial phrase , beautifully plastic in line , seems , furthermore , to be derived
from the one that follows the entry of the Priests of Wisdom in that same finale .
8 , this number starts in a meditative tone and ends in a march in dotted rhythm .
The initial phrase , beautifully plastic in line , seems , furthermore , to be derived
from the one that follows the entry of the Priests of Wisdom in that same finale .
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Inhalt
What Everyone knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte