La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la Musique |
Im Buch
Ergebnisse 1-3 von 23
Seite 219
The priest ' s answer has oracular solemnity thrown into relief by a remarkable
orchestral idea : doubling of the uncovered voice by the cello in an expressive
register ( a discovery so effective that the naturalism of the nineteenth century will
...
The priest ' s answer has oracular solemnity thrown into relief by a remarkable
orchestral idea : doubling of the uncovered voice by the cello in an expressive
register ( a discovery so effective that the naturalism of the nineteenth century will
...
Seite 267
Once everyone has left and the stage remains empty , one hears from outside the
voice of Papageno , forgotten during the trio : he is calling Tamino . He enters
and goes toward the portal through which Tamino has been led away . But a
voice ...
Once everyone has left and the stage remains empty , one hears from outside the
voice of Papageno , forgotten during the trio : he is calling Tamino . He enters
and goes toward the portal through which Tamino has been led away . But a
voice ...
Seite 280
( Pamina ' s voice ? ) . The Men in Armor reply affirmatively . Tamino ' s joy ,
echoed by his guardians , leads to its expression in trio : “ Nun trennet uns kein
Schicksal mehr , / Wenn auch der Tod beschieden wär ! ” ( Now no fate can
separate us ...
( Pamina ' s voice ? ) . The Men in Armor reply affirmatively . Tamino ' s joy ,
echoed by his guardians , leads to its expression in trio : “ Nun trennet uns kein
Schicksal mehr , / Wenn auch der Tod beschieden wär ! ” ( Now no fate can
separate us ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
What Everyone knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Urheberrecht | |
24 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte