Talking to the Audience: Shakespeare, Performance, SelfPsychology Press, 2005 - 192 páginas This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance. Through analysis of contemporary productions Talking to the Audience serves to demonstrate how the study of recent performance helps us to understand both Shakespeare's cultural moment and our own. Its exploration of how theory and practice can inform each other make this essential reading for all those studying Shakespeare in either a literary or theatrical context. |
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Contenido
politics performance | 24 |
The point or the question? Text performance | 52 |
history | 93 |
the Societas Raffaello Sanzio | 126 |
Otras ediciones - Ver todas
Términos y frases comunes
Achilles acting action actor Amleto Anthony Sher appears argue audi audience's auditorium autistic body Bolingbroke Brecht Brook Brutus centre stage character Claudius clown coherent conventions court critical cultural cultural materialist direct address dramatic figure dramatic subjectivity early modern dramatic effect of subjectivity Elizabethan emotional ence encounter between performer fictional figures film foregrounded Gainsborough studios gesture Giulio Cesare Globe Greek Hamlet illusion Jeune Lune Julius Caesar king Leontes lines London Lune's madness mance Mark Antony meaning mise en scène modern drama moments Mowbray naturalistic notion offers Ophelia Pandarus performance objective performer and audience performing human Peter Brook play's political Polonius Presence Chamber Prologue psychological Quarto reading recognise reviewers Richard Richard II role RSC production RSC's Rylance Samuel West scene sense Sher shift Societas Raffaello Sanzio soliloquy speaks spectator speech Stanislavski Steven Pimlott suggests theatre theatrically conscious Thersites tion Tonti Troilus and Cressida Trojans voice vulnerable watching Weimann West's