FrankensteinNew American Library, 1965 - 224 páginas This revision of a widely adopted critical edition presents the 1831 text of Mary Shelley7;s English Romantic novel along with critical essays that introduce students to "Frankenstein" from contemporary psychoanalytic, Marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be combined. In the second edition, 3 of the 6 essays are new. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms. |
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Página 54
... leaves - sights which before always yielded me supreme delight - so deeply was I engrossed in my occupation . The leaves of that year had withered before my work drew near to a close , and now every day showed me more plainly how well I ...
... leaves - sights which before always yielded me supreme delight - so deeply was I engrossed in my occupation . The leaves of that year had withered before my work drew near to a close , and now every day showed me more plainly how well I ...
Página 158
... leave my labour for the night or hasten its conclusion by an unremitting atten- tion to it . As I sat , a train of reflection occurred to me which led me to consider the effects of what I was now doing . Three years before , I was ...
... leave my labour for the night or hasten its conclusion by an unremitting atten- tion to it . As I sat , a train of reflection occurred to me which led me to consider the effects of what I was now doing . Three years before , I was ...
Página 192
... leave my adversary in being . When I quitted Geneva my first labour was to gain some clue by which I might trace the ... leaves of the trees , which were gently agitated by the wind ; the night was nearly dark , and the scene would have ...
... leave my adversary in being . When I quitted Geneva my first labour was to gain some clue by which I might trace the ... leaves of the trees , which were gently agitated by the wind ; the night was nearly dark , and the scene would have ...
Contenido
Sección 1 | vii |
Sección 2 | xiii |
Sección 3 | 36 |
Derechos de autor | |
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Términos y frases comunes
Agatha agony Albertus Magnus anguish appeared arrived beauty became beheld bestow CALIFORN child Clerval companion consolation cottage countenance cousin creature crime dared dark dear death delight desire despair destroyed DIEGO discovered dream earth Elizabeth endeavoured endured entered eyes father fear feelings Felix felt forever Frankenstein Geneva gentle grief happy Harold Bloom heard heart heaven hope horror human idea imagination Ingolstadt innocent journey Justine kind Krempe labours lake live looked Lord Byron Mary Shelley mind miserable misfortune Modern Prometheus monster Mont Blanc morning mountains murderer Muriel Spark natural philosophy nature never night Paracelsus Paradise Lost passed passion peace perceived pleasure possessed Promethean Prometheus Prometheus Unbound rage reflect remained Safie scene sensations Shelley Shelley's smiles sometimes soon sorrow soul spirit strange suffered tale tears thought tion tranquillity Victor Victor Frankenstein voice wind wish wonder wood words wretched