FrankensteinNew American Library, 1965 - 224 páginas This revision of a widely adopted critical edition presents the 1831 text of Mary Shelley7;s English Romantic novel along with critical essays that introduce students to "Frankenstein" from contemporary psychoanalytic, Marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be combined. In the second edition, 3 of the 6 essays are new. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms. |
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Página 45
... tion and paid a visit to some of the principal professors . Chance or rather the evil influence , the Angel of Destruc- tion , which asserted omnipotent sway over me from the moment I turned my reluctant steps from my father's door -led ...
... tion and paid a visit to some of the principal professors . Chance or rather the evil influence , the Angel of Destruc- tion , which asserted omnipotent sway over me from the moment I turned my reluctant steps from my father's door -led ...
Página 189
... tion . Liberty , however , had been a useless gift to me , had I not ,, as I awakened to reason , at the same time awakened to re- venge . As the memory of past misfortunes pressed upon me , I began to reflect on their cause the monster ...
... tion . Liberty , however , had been a useless gift to me , had I not ,, as I awakened to reason , at the same time awakened to re- venge . As the memory of past misfortunes pressed upon me , I began to reflect on their cause the monster ...
Página 215
... tion flawed , a nightmare of actuality , rather than a dream of desire . Though abhorred rather than loved , the monster is the total form of Frankenstein's creative power and is more imaginative than his creator . The monster is at ...
... tion flawed , a nightmare of actuality , rather than a dream of desire . Though abhorred rather than loved , the monster is the total form of Frankenstein's creative power and is more imaginative than his creator . The monster is at ...
Contenido
Sección 1 | vii |
Sección 2 | xiii |
Sección 3 | 36 |
Derechos de autor | |
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Términos y frases comunes
Agatha agony Albertus Magnus anguish appeared arrived beauty became beheld bestow CALIFORN child Clerval companion consolation cottage countenance cousin creature crime dared dark dear death delight desire despair destroyed DIEGO discovered dream earth Elizabeth endeavoured endured entered eyes father fear feelings Felix felt forever Frankenstein Geneva gentle grief happy Harold Bloom heard heart heaven hope horror human idea imagination Ingolstadt innocent journey Justine kind Krempe labours lake live looked Lord Byron Mary Shelley mind miserable misfortune Modern Prometheus monster Mont Blanc morning mountains murderer Muriel Spark natural philosophy nature never night Paracelsus Paradise Lost passed passion peace perceived pleasure possessed Promethean Prometheus Prometheus Unbound rage reflect remained Safie scene sensations Shelley Shelley's smiles sometimes soon sorrow soul spirit strange suffered tale tears thought tion tranquillity Victor Victor Frankenstein voice wind wish wonder wood words wretched