Selected Essays of William Hazlitt1930 |
Dentro del libro
Resultados 1-3 de 80
Página 56
... face does not become an oval one , nor a pug nose a Roman one , with the acquisition of an office , or the addition of a title . So neither is the pert , hard , unfeeling outline of character turned from selfish- ness and cunning to ...
... face does not become an oval one , nor a pug nose a Roman one , with the acquisition of an office , or the addition of a title . So neither is the pert , hard , unfeeling outline of character turned from selfish- ness and cunning to ...
Página 99
... face . It was doubtful whether he would fall backwards or forwards ; he hung suspended for a second or two , and then fell back , throwing his hands in the air , and with his face lifted up to the sky . I never saw any thing more ...
... face . It was doubtful whether he would fall backwards or forwards ; he hung suspended for a second or two , and then fell back , throwing his hands in the air , and with his face lifted up to the sky . I never saw any thing more ...
Página 504
... face , the index of the will , was small , feeble , nothing - like what he has done . It might seem that the genius of his face as from a height surveyed and projected him ( with sufficient capacity and huge aspiration ) into the world ...
... face , the index of the will , was small , feeble , nothing - like what he has done . It might seem that the genius of his face as from a height surveyed and projected him ( with sufficient capacity and huge aspiration ) into the world ...
Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
Otras 47 secciones no mostradas
Otras ediciones - Ver todas
Selected Essays of William Hazlitt, 1778-1830 William Hazlitt,Geoffrey Keynes Sin vista previa disponible - 2013 |
Términos y frases comunes
abstract absurdity admiration appearance battle of Marengo beauty better character circumstances Coleridge common contempt conversation Correggio death delight effect equally expression face fancy favour favourite feeling French French Revolution friends genius Gil Blas give habit hand Hazlitt hear heart House of Commons Hudibras human humour idea imagination impression indifference instance interest Jeremy Taylor laugh learned less live look Lord Lord Byron manner means mind Molière nature never object observation once opinion ourselves pain painting Paradise Lost pass passion perhaps person play pleasure poet poetry prejudice pretensions pride principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit spleen style supposed talk taste things thought tion Titian Tom Jones true truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write