Selected Essays of William Hazlitt1930 |
Dentro del libro
Resultados 1-3 de 76
Página 5
... nature of our feelings with respect to physical objects ; the associations connected with any one object extending to the whole class . My having been attached to any particular person does not make me feel the same attachment to the ...
... nature of our feelings with respect to physical objects ; the associations connected with any one object extending to the whole class . My having been attached to any particular person does not make me feel the same attachment to the ...
Página 68
... nature ? And shall we not allow the force of nature itself ? If the real disposition is concealed for a time and tampered with , how readily it breaks out with the first excuse or opportunity ! How soon does the drunkard forget his ...
... nature ? And shall we not allow the force of nature itself ? If the real disposition is concealed for a time and tampered with , how readily it breaks out with the first excuse or opportunity ! How soon does the drunkard forget his ...
Página 606
... Nature is the soul of art . There is a strength in the imagination that reposes entirely on nature , which nothing else can supply . There is in the old poets and painters a vigour and grasp of mind , a full possession of their subject ...
... Nature is the soul of art . There is a strength in the imagination that reposes entirely on nature , which nothing else can supply . There is in the old poets and painters a vigour and grasp of mind , a full possession of their subject ...
Contenido
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
Otras 47 secciones no mostradas
Otras ediciones - Ver todas
Selected Essays of William Hazlitt, 1778-1830 William Hazlitt,Geoffrey Keynes Sin vista previa disponible - 2013 |
Términos y frases comunes
abstract absurdity admiration appearance battle of Marengo beauty better character circumstances Coleridge common contempt conversation Correggio death delight effect equally expression face fancy favour favourite feeling French French Revolution friends genius Gil Blas give habit hand Hazlitt hear heart House of Commons Hudibras human humour idea imagination impression indifference instance interest Jeremy Taylor laugh learned less live look Lord Lord Byron manner means mind Molière nature never object observation once opinion ourselves pain painting Paradise Lost pass passion perhaps person play pleasure poet poetry prejudice pretensions pride principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit spleen style supposed talk taste things thought tion Titian Tom Jones true truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write