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Muft I of force be married to the county 1?—

No, no;-this shall forbid it :-lie thou there.—
Llaying down a dagger.

What

"-to the end I may my name and confcience fave,
"I must devour the mixed drink that by me here I have:
"Whole working and whofe force as yet I do not know :-
"And of this piteous plaint began another doubt to grow:
"What do I know, (quoth the) if that this powder shall
"Sooner or later than it should, or else not work at all?
"And what know I, quoth fhe, if ferpents odious,

"And other beafts and worms, that are of nature venomous,
"That wonted are to lurk in dark caves under ground,

"And commonly, as I have heard, in dead men's tombs are found,
"Shall harm me, yea or nay, where I fhall lie as dead?
"Or how I, that always have in fo fresh air been bred,
"Endure the loathsome stink of fuch a heaped ftore

"Of carcafes not yet confum'd, and bones that long before
"Intombed were, where I my fleeping-place fhall have,
"Where all my ancestors do reft, my kindred's common grave?
"Shall not the friar and my Romeus, when they come,

"Find me. if I awake before, y-ftifled in the tomb? MALONE. So, in Painter's Palace of Pleafure, tom. ii. p. 239."—but what know I, (fayd fhe) whether the operation of this pouder will be to foone or to late, or not correfpondent to the due time, and that my faulte being difcovered, I fhall remayne a jefting-stocke and fable to the people? what know I moreover, if the ferpents and other venomous and crauling wormes, which commonly frequent the graves and pittes of the earth, will hurt me thinkyng that I am dead? But how shall I indure the finche of fo many carions and bones of myne auncestors which reft in the grave, if by fortune I do awake before Romeo and frier Laurence doe come to help me? And as he was thus plunged in the deepe contemplation of things, fhe thought that the fawe a certaine vifion or fanfie of her coufin hibault, in the very fame fort as the fawe him wounded and imbrued with blood;" &c. STEEVENS.

1

Must I of force be married to the county?] Thus the quarto of 1597, and not, as the line has been exhibited in the late editions, Shall I of force be married to the count?

The fubequent ancient copies read, as Mr. Steevens has obferved, Shall I be married then to-morrow morning? MALONE. 2 lie thou there. [laying down a dagger.] This stage-directin has been fupplied by the modern editors. The quarto, 1597, reads: “ – Knife, lie thou there." It appears from feveral paflages in our old plays, that knives were formerly part of the accoutrements of a bride; and every thing beboveful for Juliet's fate had just been left with her. So, in Decker's Match me in London, 1631:

"See, at my girdle hang my wedding knives!"

What if it be a poison, which the friar
Subtly hath minifter'd to have me dead;
Left in this marriage he should be dishonour'd,
Because he married me before to Romeo?
I fear, it is: and yet, methinks, it should not,
For he hath still been tried a holy man:
I will not entertain fo bad a thought 3.-
How if, when I am laid into the tomb,
I wake before the time that Romeo

Come to redeem me? there's a fearful point!
Shall I not then be ftifled in the vault,

To whofe foul mouth no healthfome air breathes in,
And there die ftrangled ere my Romeo comes!
Or, if I live, is it not very like,

The horrible conceit of death and night,
Together with the terror of the place,-
As in a vault, an ancient receptacle +,

Again, in King Edward III. 1596:

"Here by my fide do hang my wedding knives:

"Take thou the one, and with it kill thy queen,

"And with the other, I'll dispatch my love." STEEVENS. In order to account for Juliet's having a dagger, or, as it is called in old language, a knife, it is not neceffary to have recourfe to the ancient accoutrements of brides, how prevalent foever the custom mentioned by Mr. Steevens may have been; for Juliet appears to have furnished herself with this instrument immediately after her father and mother had threatened to force her to marry Paris:

"If all fail elfe, myself have power to die."

Accordingly, in the very next scene, when she is at the friar's cell, and before he could have been furnished with any of the apparatus of a bride, (not having then confented to marry the count,) the fays: Give me fome prefent counfel, or, behold,

"Twixt my extremes and me this bloody knife

"Shall play the umpire." MALONE.

3 I will not entertain fo bad a thought.] This line I have restored from the quarto, 1597. STEEVENS.

4 As in a vault, &c.] This idea was probably fuggefted to our poet by his native place. The charnel houfe at Stratford upon Avon is a very large one, and perhaps contains a greater number of bones than are to be found in any other repofitory of the fame kind in England.-I was furnished with this obfervation by Mr. Murphy, whofe very elegant and fpirited defence of Shakspeare againft the criticisms of Voltaire, is one of the leaft confiderable out of many favours which he has conferred on the literary world. STEEVENS.

Where,

Where, for these many hundred years, the bones
Of all my buried ancestors are pack'd;

Where bloody Tybalt, yet but green in earth 5,
Lies feft'ring; in his fhroud; where, as they fay,
At fome hours in the night fpirits refort ;-
Alack, alack! is it not like, that I 7,

So early waking,-what with loathfome fmells;
And fhrieks like mandrakes' torn out of the earth,
That living mortals, hearing them, run mad3 ;-
O! if I wake, fhall I not be distraught,
Environed with all these hideous fears?
And madly play with my forefathers' joints?
And pluck the mangled Tybalt from his fhroud?
And, in this rage, with fome great kinfman's bone,
As with a club, dafh out my defperate brains?
O, look! methinks, I fee my cousin's ghoft

s-green in earth,] i. e. fresh in earth, newly buried. So, in Hamlet s 66 of our dear brother's death,

"The memory be green."

Again, in the Opportunity, by Shirley

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-I am but

"Green in my honours." STEEVENS.

Lies feftring-] To fefter is to corrupt. So, in K. Edward III. 1596: "Lillies that fefter smell far worse than weeds."

This line likewife occurs in the 94th Sonnet of Shakspeare. The play of Edward III. has been ascribed to him. STEEVENS.

i-is it not like, that I,] This fpeech is confused, and inconfequential, according to the diforder of Juliet's mind. JOHNSON. -run mad-] So, in Webster's Dutchess of Malfy, 1623: "I have this night dig'd up a mandrake,

"And am grown mad with't."

So, in The Arbeift's Tragedy, 1611:

"The cries of mandrakes never touch'd the ear

"With more fad horror, than that voice does mine."

"The mandrake," (fays Thomas Newton, in his Herball to the Bible, 8vo. 1587,) "has been fuppofed to be a creature having life and engendered under the earth, of the feed of fome dead perfon that hath been convicted and put to death for fome felonie or murther; and that they had the fame in fuch dampish and funeral places where the faid convicted perfons were buried," &c. STEEVENS.

See Vol. V. p. 368, n. 5; and Vol. VI. p. 191, n. 4. MALONE. 9-he diffraught.] Diftraught is diftracted. So, in Drayton's Polyolbion, Song 10:

"Is, for that river's fake, near of his wits diftraught," &c.

STEEVENS.

Seeking

Seeking out Romeo, that did fpit his body
Upon a rapier's point :-Stay, Tybalt, ftay!-
Romeo, I come! this do I drink to thee'.

[She throws berfelf on the bed.

SCENE IV.

Capulet's Hall.

Enter Lady CAPULET, and Nurse.

La. Cap. Hold, take these keys, and fetch more fpices, nurfe.

Nurfe. They call for dates and quinces in the pastry". Enter CAPULET.

Cap. Come, ftir, ftir, ftir! the fecond cock hath crow'd,

The curfeu bell hath rung3, 'tis three o'clock :-
Look to the bak'd meats, good Angelica:
Spare not for cost.

Nurfe. Go, you cot-quean, go,

Get you to bed; 'faith, you'll be fick to-morrow
For this night's watching.

Cap. No, not a whit; What! I have watch'd ere now All night for leffer cause, and ne'er been fick.

■ Romeo, I come! this do I drink to thee.] So the first quarto, 1597. The fubfequent ancient copies read:

Romeo, Romeo, Romeo, here's drink, I drink to thee.

MALONE.

They call for dates and quinces in the paftry.] i. e. in the room where paste was made. So laundry, spicery, &c. MALONE.

On the books of the Stationers' Company in the year 1560, are the Following entries:

Item payd for iiii pound of dates iiii f.

Item payd for xxiiii pounde of prunys iii s. viii d. STEEV. 3 The curfeu bell] I know not that the morning-bell is called the curfew in any other place. JOHNSON.

The curfew bell was rung at nine in the evening, as appears from a paffage in the Merry Devil of Edmonton, 1626:

"-well 'tis nine o'clock, 'tis time to ring curfew." STEEV.

4

La. Cap.

La. Cap. Ay, you have been a moufe-hunt in your time;

But I will watch you from fuch watching now.

[Exeunt Lady Capulet, and Nurse. Cap. A jealous-hood, a jealous-hood!-Now, fellow, What's there?

Enter Servants, with fpits, logs, and baskets.

1. Serv. Things for the cook, fir; but I know not what. Cap. Make hafte, make hafte. [Exit Serv.]-Sirrah, fetch drier logs;

Call Peter, he will fhew thee where they are.

2. Serv. I have a head, fir, that will find out logs, And never trouble Peter for the matter. [Exit. Cap. 'Mafs, and well faid; A merry whorefon! ha, Thou shalt be logger-head.-Good faith, 'tis day: The county will be here with mufick straight,

[Mufick within. For fo he faid he would. I hear him near:Nurfe!-Wife!-what, ho!-what, Nurfe, I fay! Enter Nurfe.

Go, waken Juliet, go, and trim her up;

I'll go and chat with Paris:Hie, make haste,
Make hafte! the bridegroom he is come already:
Make haite, I say !

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[Exeunt.

Nurfe. Miftrefs!-what, miftrefs!-Juliet !-faft, I warrant her, she :

Why, lamb!-why, lady !-fie, you flug-a-bed!-
Why, love, I fay!-madam! fweet-heart!-why,

bride!

4-a mouse-bunt-] It appears from a paffage in Hamlet, that mouse was once a term of endearment applied to a woman:

"Pinch wanton on your cheek, call you his moufe." STEEV.

What,

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