Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreAshgate, 2005 - 142 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
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Página 75
... Urn and the Medusa painting . Keats is compelled to speak of his urn's ' ditties of no tone ' ( 14 ) and Shelley is drawn to the pictorial representation of Medusa's ' melodious hue of beauty ' ( 14 , my italic ) . Keats's Grecian Urn ...
... Urn and the Medusa painting . Keats is compelled to speak of his urn's ' ditties of no tone ' ( 14 ) and Shelley is drawn to the pictorial representation of Medusa's ' melodious hue of beauty ' ( 14 , my italic ) . Keats's Grecian Urn ...
Página 81
... Grecian Urn , the Skylark threatens to tease Shelley out of thought . His conjecture about the realm to which the ' unseen ' ( 20 ) skylark belongs is one without ' pain ' ( 89 ) , or ' shadow of annoyance ' ( 78 ) , where passion is ...
... Grecian Urn , the Skylark threatens to tease Shelley out of thought . His conjecture about the realm to which the ' unseen ' ( 20 ) skylark belongs is one without ' pain ' ( 89 ) , or ' shadow of annoyance ' ( 78 ) , where passion is ...
Página 140
... Grecian Urn , Ode on a ' 75 , 76 n27 , 77 , 78 n 29 , 79 n32 , 79 , 81 , 86 " Melancholy , Ode on ' 50 , 64 ' Nightingale , Ode to a ' 49 , 50 , 55 , 81-6 * Psyche , Ode to ' xi , 64 , 65 n14 , 64-73 , 66 n16 , 68 n18 , 71 n10 , 80 , 85 ...
... Grecian Urn , Ode on a ' 75 , 76 n27 , 77 , 78 n 29 , 79 n32 , 79 , 81 , 86 " Melancholy , Ode on ' 50 , 64 ' Nightingale , Ode to a ' 49 , 50 , 55 , 81-6 * Psyche , Ode to ' xi , 64 , 65 n14 , 64-73 , 66 n16 , 68 n18 , 71 n10 , 80 , 85 ...
Contenido
Reading Nietzsches AntiRomanticism | 1 |
Tragic Romance | 29 |
Lyrical Transgressions | 63 |
Derechos de autor | |
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Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista previa limitada - 2017 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
absence Adonais aesthetic affirmation Alastor Apollo Apollonian Autumn beauty become bower Cambridge concept confront consciousness continual creative critical dark death Derrida desire Dionysian dream Endymion Enlightenment eternity Eve of St existence experience expression eyes Fall fiction figure final forces fragment future hereafter historical hope human Hyperion ideal identity imaginative immortal individual interpretation John Keats and Shelley Keats's knowledge language leaves light literary literature living London lyric Mark meaning metaphysical mind mode mortal narrative narrator nature negative never Nietzsche Nietzsche's object observer original Oxford pain Paul philosophical poem poet poet-figure poet's poetic Poetry present Psyche question Rajan reader reading reality relation represented rhetorical romantic Romanticism sense shape Shelley's silent Spirit Studies suffering things thou thought tragedy tragic Trans transformation Triumph truth turn understanding University Press vision voice Wind writing York