Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreAshgate, 2005 - 142 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
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Página 36
... fiction of the ' voice of living beings ' ( 48 ) as well as his own . These narrator's evanescent fiction permit snatches of those sublime truths hidden by nature's ' twilight phantasms ' and ' deep noonday thought ' ( 40 ) , but at ...
... fiction of the ' voice of living beings ' ( 48 ) as well as his own . These narrator's evanescent fiction permit snatches of those sublime truths hidden by nature's ' twilight phantasms ' and ' deep noonday thought ' ( 40 ) , but at ...
Página 39
... fiction of solace to ease his loss . Alastor's poet - figure awakes from his hopeful dream of the ' veiled maiden ' ( 151 ) to a sense of isolation , emptiness and the failure of his own visionary episode to act as an antidote for ...
... fiction of solace to ease his loss . Alastor's poet - figure awakes from his hopeful dream of the ' veiled maiden ' ( 151 ) to a sense of isolation , emptiness and the failure of his own visionary episode to act as an antidote for ...
Página 84
... fiction of flight and a solipsistic withdrawal from the world , Keats persistently returns to reality's hardships after his various modes of fiction confront the finality of absence figured as death : Darkling I listen ; and , for many ...
... fiction of flight and a solipsistic withdrawal from the world , Keats persistently returns to reality's hardships after his various modes of fiction confront the finality of absence figured as death : Darkling I listen ; and , for many ...
Contenido
Reading Nietzsches AntiRomanticism | 1 |
Tragic Romance | 29 |
Lyrical Transgressions | 63 |
Derechos de autor | |
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Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista previa limitada - 2017 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
absence Adonais aesthetic affirmation Alastor Apollo Apollonian Autumn beauty become bower Cambridge concept confront consciousness continual creative critical dark death Derrida desire Dionysian dream Endymion Enlightenment eternity Eve of St existence experience expression eyes Fall fiction figure final forces fragment future hereafter historical hope human Hyperion ideal identity imaginative immortal individual interpretation John Keats and Shelley Keats's knowledge language leaves light literary literature living London lyric Mark meaning metaphysical mind mode mortal narrative narrator nature negative never Nietzsche Nietzsche's object observer original Oxford pain Paul philosophical poem poet poet-figure poet's poetic Poetry present Psyche question Rajan reader reading reality relation represented rhetorical romantic Romanticism sense shape Shelley's silent Spirit Studies suffering things thou thought tragedy tragic Trans transformation Triumph truth turn understanding University Press vision voice Wind writing York