Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreAshgate, 2005 - 142 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
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Página 6
... poetic career as a movement away from Apollonian idealism towards a tragically 18 Susan Wolfson , Formal Charges : The Shaping of Poetry in British Romanticism ( Stanford : Stanford University Press , 1997 ) , p . 30 , hereafter FC ...
... poetic career as a movement away from Apollonian idealism towards a tragically 18 Susan Wolfson , Formal Charges : The Shaping of Poetry in British Romanticism ( Stanford : Stanford University Press , 1997 ) , p . 30 , hereafter FC ...
Página 25
... poetic fabric , forces the possibility of uniting these oppositions and opens up an enormous potentiality for the self . Loyal to the nature of poetry he promotes , Shelley elides subscribing to a particular system of metaphysics , or ...
... poetic fabric , forces the possibility of uniting these oppositions and opens up an enormous potentiality for the self . Loyal to the nature of poetry he promotes , Shelley elides subscribing to a particular system of metaphysics , or ...
Página 136
... Poetry , ' Studies in Romanticism 32 ( 1993 ) : 425-51 . Vendler , Helen . The Odes of John Keats . Harvard : Belknap Press , 1983 . Vendler , Helen . The Music of What Happens : Poems , Poets ,. Critics . Cambridge , Massachusetts ...
... Poetry , ' Studies in Romanticism 32 ( 1993 ) : 425-51 . Vendler , Helen . The Odes of John Keats . Harvard : Belknap Press , 1983 . Vendler , Helen . The Music of What Happens : Poems , Poets ,. Critics . Cambridge , Massachusetts ...
Contenido
Reading Nietzsches AntiRomanticism | 1 |
Tragic Romance | 29 |
Lyrical Transgressions | 63 |
Derechos de autor | |
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Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista previa limitada - 2017 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
absence Adonais aesthetic affirmation Alastor Apollo Apollonian Autumn beauty become bower Cambridge concept confront consciousness continual creative critical dark death Derrida desire Dionysian dream Endymion Enlightenment eternity Eve of St existence experience expression eyes Fall fiction figure final forces fragment future hereafter historical hope human Hyperion ideal identity imaginative immortal individual interpretation John Keats and Shelley Keats's knowledge language leaves light literary literature living London lyric Mark meaning metaphysical mind mode mortal narrative narrator nature negative never Nietzsche Nietzsche's object observer original Oxford pain Paul philosophical poem poet poet-figure poet's poetic Poetry present Psyche question Rajan reader reading reality relation represented rhetorical romantic Romanticism sense shape Shelley's silent Spirit Studies suffering things thou thought tragedy tragic Trans transformation Triumph truth turn understanding University Press vision voice Wind writing York