sion of it is in Germany. The first stanza follows, in the two languages: In some way or other the Lord will provide. It may not be thy way, And yet in His own way Sei's so oder anders, der Herr wird's versehn; Mag's nicht sein, wie ich will, Mag's nicht sein, wie du willst, Doch wird's sein, wie Er will: In the English version the easy flow of the two last lines into one sentence is an example of rhythmic advantage over the foreign syntax. Mrs. Cook was married to the well-known clergyman and editor, Parsons Cook, (1800-1865) in Bridgeport, Ct., and survived him at his death in Lynn, Mass. She was Miss Martha Ann Woodbridge, afterwards Mrs. Hawley, and a widow at the time of her re-marriage as Mr. Cook's second wife. THE TUNE. Professor Calvin S. Harrington, of Wesleyan University, Middletown, Ct., set music to the words as printed in Winnowed Hymns (1873) and arranged by Dr. Eben Tourjee, organizer of the great American Peace Jubilee in Boston. In the Gospel Hymns it is, however, superseded by the more popular composition of Philip Phillips. Dr. Eben Tourjee, late Dean of the College of Music in Boston University, and founder and head of the New England Conservatory, was born in Warwick, R. I., June 1, 1834. With only an academy education he rose by native genius, from a hard-working boyhood to be a teacher of music and a master of its science. From a course of study in Europe he returned and soon made his reputation as an organizer of musical schools and sangerfests. The New England Conservatory of Music was first established by him in Providence, but removed in 1870 to Boston, its permanent home. His doctorate of music was conferred upon him by Wesleyan University. Died in Boston, April 12, 1891. Philip Phillips, known as "the singing Pilgrim," was born in Jamestown, Chautauqua, Co., N. Y., Aug. 13, 1834. He compiled twenty-nine collections of sacred music for Sunday schools, gospel meetings, etc.; also a Methodist Hymn and Tune Book, 1866. He composed a great number of tunes, but wrote no hymns. Some of his books were published in London, for he was a cosmopolitan singer, and traveled through Europe and Australia as well as America. Died in Delaware, O., June 25, 1875. "NEARER, MY GOD, TO THEE." Mr. William Stead, fond of noting what is often believed to be the "providential chain of causes" in everything that happens, recalls the fact that Benjamin Flower, editor of the Cambridge Intelligencer, while in jail (1798) at the instigation of Bp. Watson for an article defending the French Revolution, and criticising the Bishop's political course, was visited by several sympathizing ladies, one of whom was Miss Eliza Gould. The young lady's first acquaintance with him there in his cell led to an attachment which eventuated in marriage. Of that marriage Sarah Flower was born. By the theory of providential sequences Mr. Stead makes it appear that the forgotten vindictiveness of a British prelate "was the causa causans of one of the most spiritual and aspiring hymns in the Christian Hymnary." "Nearer, My God, to Thee" was on the lips of President McKinley as he lay dying by a murderer's wicked shot. It is dear to President Roosevelt for its memories of the battle of Las Quasimas, where the Rough Riders sang it at the burial of their slain comrades. Bishop Marvin was saved by it from hopeless dejection, while practically an exile during the Civil War, by hearing it sung in the wilds of Arkansas, by an old woman in a log hut. A letter from Pittsburg, Pa., to a leading Boston paper relates the name and experience of a forger who had left the latter city and wandered eight years a fugitive from justice. On the 5th of November, (Sunday,) 1905, he found himself in Pittsburg, and ventured into the Dixon Theatre, where a religious service was being held, to hear the music. The hymn "Nearer, My God, to Thee" so overcame him that he went out weeping bitterly. He walked the floor of his room all night, and in the morning telephoned for the police, confessed his name and crime, and surrendered himself to be taken back to the Boston authorities. Mrs. Sarah Flower Adams, author of the noble hymn (supposed to have been written in 1840), was born at Harlow, Eng., Feb. 22, 1805, and died there in 1848. At her funeral another of her hymns was sung, ending When falls the shadow, cold in death I yet will sing with fearless breath, "Father, Thy will, not mine, be done." The attempts to evangelize "Nearer, My God, to Thee" by those who cannot forget that Mrs. Adams was a Unitarian, are to be deplored. Such zeal is as needless as trying to sectarianize an Old Testament Psalm. The poem is a perfect religious piece to be sung as it stands, with thanks that it was ever created. THE TUNE. In English churches (since 1861) the hymn was and may still be sung to "Horbury," composed by Rev. John B. Dykes, and "St. Edmund," by Sir Arthur Sullivan. Both tunes are simple and appropriate, but such a hymn earns and inevitably acquires a single tune-voice, so that its music instantly names it by its words when played on instruments. Such a voice was given it by Lowell Mason's "Bethany," (1856). (Why not "Bethel," instead, every one who notes the imagery of the words must wonder.) "Bethany" appealed to the popular heart, and long ago (in America) hymn and tune became each other's property. It is even simpler than the English tunes, and a single hearing fixes it in memory. "I NEED THEE EVERY HOUR." Mrs. Annie Sherwood Hawks, who wrote this hymn in 1872, was born in Hoosick, N. Y., in 1835. She sent the hymn (five stanzas) to Dr. Lowry, who composed its tune, adding a chorus, to make it more effective. It first appeared in a small collection of original songs prepared by Lowry and Doane for the National Baptist Sunday School Association, which met at Cincinnati, O., November, 1872, and was sung there. I need Thee every hour, No tender voice like Thine CHORUS. I need Thee, Oh, I need Thee, Oh, bless me now, my Saviour, |