Shakespeare and Language
This collection of essays considers the characteristics, excitement and unique qualities of Shakespeare's language, the relationship between language and event, and the social, theatrical and literary function of language. A new introduction, by Jonathan Hope, explicates the differences between Shakespeare's language and our own, provides a theoretical and contextual framework for the pieces that follow, and makes transparent an aspect of Shakespeare's craft (and the critical response to it)that has frequently been opaque.
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Shakespeares language and the language of Shakespeares time
The foundations of Elizabethan language
Shakespeares talking animals
Shakespeare and the tune of the time ΙΟΙ
Shakespeares Romeo and Juliet the places of invention
IO The art of the comic duologue in three plays by Shakespeare
The aesthetics of mutilation in Titus Andronicus
verbal echoing in Macbeth
style and the sexes
Otras ediciones - Ver todas
Términos y frases comunes
action appears associated audience become characters Claudius CLOWN common compounds context conversation Coriolanus course critical discourse Early Early Modern echoes effect elements Elizabethan English example expression fact fair figures final fool formal function give Hamlet hand hath hear Henry instance Juliet kind King Lady language later less letters lines linguistic literal London lord Macbeth marked matter meaning metaphor mind mode nature never noun occurs Othello particular passage patterns perhaps period phrase play poetic present Press question reason reference relation relationship rhetorical Richard Romeo scene seems sense sentence Shakespeare Shakespearian social sound speak speech stage structure style suggest syllable talking tell thee thing thou Titus tragedy translation turn University verb verbal voice whole words writing