The Comedy of Evil on Shakespeare's StageFairleigh Dickinson University Press, 1978 - 184 páginas Concerned with the conventionally comic representation of evil on the English Renaissance stage. |
Dentro del libro
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Página 14
... church , whatever their specu- lative differences on other subjects , reveal impressive agree- ment on this one . It is this very agreement that uncompli- cates the idea of evil in Christian metaphysics and qualifies the subject for ...
... church , whatever their specu- lative differences on other subjects , reveal impressive agree- ment on this one . It is this very agreement that uncompli- cates the idea of evil in Christian metaphysics and qualifies the subject for ...
Página 41
... church itself had become early the scene of a ritualistic manifestation of the idea.1 Certain festival days on the church calendar called for an inverted ritual , for example , Boy Bishop's Day , on which the holy hierarchy was over ...
... church itself had become early the scene of a ritualistic manifestation of the idea.1 Certain festival days on the church calendar called for an inverted ritual , for example , Boy Bishop's Day , on which the holy hierarchy was over ...
Página 58
... church this new theological position had far- reaching results . An attempt to disengage faith and reason succeeded the Thomistic reconciliation , and in effect nar- rowed the field of speculation for commentators : there were no more ...
... church this new theological position had far- reaching results . An attempt to disengage faith and reason succeeded the Thomistic reconciliation , and in effect nar- rowed the field of speculation for commentators : there were no more ...
Contenido
Preface | 9 |
Demonic Humor in the Arts | 32 |
Morality and Mockery | 54 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actually Ages appears assumes audience becomes body called century character Christian church civilization comedy of evil comic concerned continued conventional Dance death definition demonic demonstration devil disguise drama early Elizabethan English episodes equivocation example existence face fact falls Falstaff figure final flesh follow forces hand hell hero homiletic human humor involving ironic John king language late later laugh laughter less London Macbeth manifestation Mankind Master means medieval merely Middle mind mock mockery moral Murderer mystery nature nature of evil non-Being occurs offers once origin Oxford parody performance physical play possible privative reality remarks represented role scene seems sense sensuality serious serve Shakespeare's sins soul spirit stage stand symbolic tavern technique theme things thou throughout tion tradition tragedy tragic turn ultimate universal values Vice victim villain virtue young