The Comedy of Evil on Shakespeare's StageFairleigh Dickinson University Press, 1978 - 184 páginas Concerned with the conventionally comic representation of evil on the English Renaissance stage. |
Dentro del libro
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Página 63
... Flesh . After temporary submission during his youth to these boisterous sins , Humanum Genus repents and is led by Shrift to the Castle of Perseverance , where he is taken under the protec- tive custody of the seven virtues - Meekness ...
... Flesh . After temporary submission during his youth to these boisterous sins , Humanum Genus repents and is led by Shrift to the Castle of Perseverance , where he is taken under the protec- tive custody of the seven virtues - Meekness ...
Página 70
... flesh , and the devil . First , the non - Being of the world is closely related to two prominent medieval Christian themes , Vanity and the Dance of Death . The vices teach their victims to behave with flippant disregard for the fact of ...
... flesh , and the devil . First , the non - Being of the world is closely related to two prominent medieval Christian themes , Vanity and the Dance of Death . The vices teach their victims to behave with flippant disregard for the fact of ...
Página 72
... Flesh , and the Devil , prepare to attack the Castle , stronghold of the virtues , they betray themselves by their brawling . World lambastes Covetousness , and Flesh flogs his lieutenants - Gluttony , Sloth , and Lechery — with ...
... Flesh , and the Devil , prepare to attack the Castle , stronghold of the virtues , they betray themselves by their brawling . World lambastes Covetousness , and Flesh flogs his lieutenants - Gluttony , Sloth , and Lechery — with ...
Contenido
Preface | 9 |
Demonic Humor in the Arts | 32 |
Morality and Mockery | 54 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actually Ages appears assumes audience becomes body called century character Christian church civilization comedy of evil comic concerned continued conventional Dance death definition demonic demonstration devil disguise drama early Elizabethan English episodes equivocation example existence face fact falls Falstaff figure final flesh follow forces hand hell hero homiletic human humor involving ironic John king language late later laugh laughter less London Macbeth manifestation Mankind Master means medieval merely Middle mind mock mockery moral Murderer mystery nature nature of evil non-Being occurs offers once origin Oxford parody performance physical play possible privative reality remarks represented role scene seems sense sensuality serious serve Shakespeare's sins soul spirit stage stand symbolic tavern technique theme things thou throughout tion tradition tragedy tragic turn ultimate universal values Vice victim villain virtue young